State of the Union

One of the commitments I carried into blogging from the outset was to try and build bridges to conservatives.

First, because they were a significant presence in the early blogosphere and the wider public sphere. Online, I’ve always sought inputs and conversations not readily available to me in my physical community, looking to build in some strange attractors for my thought and so make it a more chaotic, less predictable system over time. Doing that requires suspending quick impulses to dismiss or scorn unfamiliar thinking. As I’ve said in the past, intellectual pluralism is an active commitment. It takes a willingness to not just tolerate but appreciate difference in intellectual standards, in modes of argument, in substantive claims, in theory and philosophy.

Second, because I’d begun to feel that a number of public policy positions that were widely dismissed by liberals as “conservative” positions in the 1980s and early 1990s were at least worthy of serious consideration, such as school choice or the ‘broken-windowpanes’ theory of policing. More generally, by that point, I’d developed a ‘soft-libertarian’ streak in my thinking about the state, rather along the lines of James Scott, as well as a new appreciation for writers sometimes perceived as having ‘conservative’ uses, such as Isaiah Berlin or Edmund Burke.

Third, because I felt that when strong conservative positions, whether of the small-government or religious/cultural kind, were closely mapped onto and expressive of the identity of groups, communities or social classes, this posed some really serious questions for the future of American democracy. I worried that liberal or left projects of the 1970s and 1980s that aimed to change how American society felt and thought about diversity, multiculturalism, cultural life, political norms and so on through civic institutions had significantly overplayed their hand. Moreover, after reading Rick Perlstein’s history of conservative mobilization around Barry Goldwater, I realized that I’d had no sense before that point of the social bases of conservative politics, that I hadn’t asked some of the basic questions that I would intuitively ask if I were looking at political or social movements in other societies or other times. It seemed to me that many liberals had a socially nonspecific understanding of conservativism, or that they were content with impulsive quickfire characterizations that they would reject if applied to other mappings of ideology to social groups.

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So where do I stand on these thoughts now? On conservative thinkers in the public sphere, not nearly so interested in making connections or building conversations, because it rapidly became evident to me that a significant proportion of those writers were treating the public sphere as either an exercise in will-to-power or as something they wanted to monkeywrench in the same way as an environmental activist might spike old-growth trees. Participating in a lot of those discussions is like being Charlie Brown falling for Lucy Van Pelt’s latest invitation to kick the football.

In particular, I ended up feeling that many conservative critics of academia who complained of marginalization had zero interest in building pluralism, which normally the solution to marginalization. Rather than seeking to widen the intellectual landscape, their vision was relentlessly zero-sum at best, and more often subtractive, about getting rid of everything that wasn’t their preferred work. Tendentiousness and double standards were the guiding spirit of their participation in public debate.

In the wider public sphere, conservatives arguing for long-held public policy objectives didn’t remark appreciatively on how or when those views had become consensus values of political elites, one reason why Rachel Maddow’s characterization of Bill Clinton as the “best Republican President” has a lot of truth to it. Even less did they look honestly at how well or poorly some of their treasured ideas performed when they became policy standards. Instead, they relentlessly moved the goalposts, making it clear that their real public policy objective was to ratfuck the other kinship branch of the political elite and thus claim the lion’s share of the inside-the-Beltway spoils system, a goal which combined with some preemptive ratfucking of specific forms of federal authority in service to their business clients outside of Washington.

The horror of many of these ‘conservatives’ at the mutable and vague object they scorned as intellectual “postmodernism” or “relativism” is as much confession as critique. I can think of nothing more relativist and will-to-power than mainstream public-sphere conservative writing and punditry in the US over the past decade.

The folks with whom I still wanted to have continuing conversations with generally didn’t identify as conservatives even if they also were wary of other labels or affiliations. So while I still see one of the basic goals of online conversation as building in strange attractors, I’ve learned that one large segment of the discursive galaxy is full of nothing but emptiness, populated by swirling rhetorical singularities that swallow up any who approach them.

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How about the second point, about the incorporation of new source material and theory into my own work as a scholar and intellectual? That’s ongoing, and judging from what I read in my fields of interest, I’m hardly alone in this respect. I still fret about the likely reception of some revisionary suggestions or ideas by colleagues who hew to more hallowed pathways, but many rooms that felt stale to me in 2000 have freshened up considerably, or I realized that my own tunnel-vision perceptions of narrowness were the real problem.

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The third concern I had when I started blogging is as alive and complex and worrisome as it ever was. Mapping the current political situation onto the social landscape of America is a confusing, difficult and yet urgently necessary exercise. I’m still very worried that a lot of people I know are inclined to dangerous forms of shorthand in thinking about the social architecture of our political moment.

I think there’s a lot under the hood of Tea Party activism, and some swirling social currents around and beyond the movement that are equally complicated.

Disclaimer: yes, race is an important driver of much Tea Party activism, and yes, there’s a lot of really bad, stupid and destructive stuff coming from declared adherents of the movement, both in terms of race and in general. Much of the movement scares the crap out of me. Investigating beyond first impressions doesn’t preclude harsh criticism or steadfast opposition.

No pretense here to a comprehensive picture, but here’s some of the things I’m thinking about or wondering about.

1) Meritocratic narratives of social mobility vs. luck/gambling/tournament narratives about social mobility vs. fatalistic and angry belief that American social mobility is dead for good.

Meritocratic stories themselves have a lot of different variant forms in American life in the last century: there’s the “hard work gets you from the mailroom to the boardroom” story, there’s the “talent wins out in the end, the person who builds the better mousetrap gets rewarded” version, and there’s the “person whose parents guide him/her successfully through all the right steps and who lives a basically good life and has a concomitantly solid career” idea.

Meritocratic stories about social hierarchy have always had gambling or tournament economies as their shadow, the notion that you get ahead in American life by being lucky: born with a silver spoon, sitting on the fountain stool at Schwab’s at the right moment, getting Oprah to pull your book out of obscurity.

I think right now we’re at a point where any meritocratic story is increasingly unreal in the lives of many Americans. On one hand, that produces for some downwardly mobile middle-class white Americans a sort of nostalgic longing which can easily be pushed into race-baiting anger at affirmative action for supposedly killing off real meritocracy, or a rejection of allegedly meritocratic elites as people who are actually a closed-shop oligarchy.

On the other hand, the growing strength of the idea of mobility through luck sometimes feeds into a defense of the superrich as people who won life’s lottery and are therefore entitled to their winnings.

Or it just leads people to conclude that mobility was for Americans in the past, and the only thing left is bitterness and anger at its passing.

It isn’t just in national politics that you can see this tension working itself out: this is what many of the unsuccessful contestants on reality shows say back to judges like Simon Cowell. Everyone’s good, the real issue is whether you’re lucky or not, and who is someone like Cowell to determine that? Certainly meritocratic stories sound very wrong when they intrude into the wrong social spaces. I was struck at how tone-deaf Gordon Ramsey’s amateur-chef reality show was when Ramsey insisted on judging people who love cooking for their family using the same narratives that he uses to judge entrepreneurial success.

2) Perceptions of the state versus social classes dependent upon the state. There are some really weird undercurrents out there right now. Putting our moment into the context of a long American history of skepticism about government is not that hard. Nor do I think it’s that hard to explain what catalyzes a lot of people (in the Tea Party movement and outside of it) to feel that government should be smaller or more effective or less intrusive.

There are some contradictions in those sentiments that are also familiar: the people who feel government should not intervene in the economy but unsurprisingly exempt the interventions from which they personally benefit, who hate buy-outs of Wall Street but who don’t blame Wall Street for almost destroying the economy, people who fly the “Don’t Tread on Me” flag but who supported the federal government intervening in the Schiavo case.

What’s more complicated is the actual breakdown of social class in America:

direct dependence upon the state as an employer or provider of monthly payments (or as the main economic driver of private employment, say, in businesses or consultancies that primarily contract with government)

VS. people whose employment has a much more indirect relationship to government.

Former government employees who are drawing large guaranteed pensions, whether they were cops, white-collar administrators, or even elected officials, have an authentically charged class-like antagonism with people in private employment who are paying the taxes to support public services. And as time goes on, people drawing money out in entitlement payments are going to have a more and more fractitious relation to people paying money in.

But is this conflict what drives anger over taxes or government size? I don’t think so, not straightforwardly. There’s no way to know for sure at the moment, but I don’t feel as if there’s much correlation between Tea Party adherents and a social antagonism between those paid by the state and those who pay it. In fact, I suspect that that at least some people drawn to Tea Party rhetoric are state employees or people whose businesses or careers are directly dependent upon government contracts. (I’m not talking about Tea Party political candidates or self-described leaders: I take it for granted that most of them are hypocrites on this score, just like any other group of allegedly small-government Republicans.)

So the question is whether something like the social conflict between retirees drawing big pensions and taxpayers looking for the maintenance of a variety of public services could be unmapped from looser rhetorics about big government, taxation and so on. I suspect not, any more than I expect people who talk a lot about the need to make budgetary cuts but who never want anything of their own to be cut to work out that discrepancy.

3) Cultural autonomy vs. cultural intervention. I still feel like there are coherent tendencies in the American electorate on both sides of this simple binary, people who generally feel strongly opposed to either government or private institutions trying to manage cultural and social life and those who believe in some strong form of intervention. I don’t think those tendencies map at all well to political parties or movements, including the Tea Party. I also don’t think they map to any concrete social group or constituency, and that’s what makes conflicts around these issues so hard to predict or manage, especially in terms of how they play out in political life.

4) How much social daylight is there between Americans in structurally hopeless economic circumstances and people who are experiencing some form of real downward mobility but whose careers or skills are still reasonably secure in their medium-term prospects? Modern historians know full well that some of the strongest political mobilizing with potential for serious unrest or destabilization often comes not from the most desperate or marginalized populations, but from groups of people whose relative status is slipping or whose perceived expectations of upward social mobility have been foiled. We have a lot of stories right now competing to establish themselves as the “real” socioeconomic underpinnings of widespread dissatisfaction and anger, but I find it hard to tell which experiences feed which kind of political anger or despair.

Posted in Politics | 11 Comments

Learning the Rules

I got into a conversation earlier this week about the cultural capital of graduating students at elite universities.

What students learn in their coursework and from being in a college community builds some of the cultural capital that they will need to gain access to the careers and futures they (and their parents) envision. This is one of the difficult issues at the heart of current global struggles over higher education, difficult because so many uncomfortable issues are involved.

John Quiggan has an interesting post at Crooked Timber on just how small the share of the total population of college-age students are educated by the top-tier elite institutions, and not for the first time, this emphasizes just how perverse it is when debates about all of higher education begin and end with elite private institutions as the primary referent.

The commenters raise some sharp questions about whether it’s even true that an education from the top-tier elite institutions is a requirement for certain kinds of professional aspirations and achievements. I think it’s true that the number of professional worlds that define the entrance setting of “merit” exclusively or primarily as an Ivy League or Ivy-like education has shrunk considerably in the United States over the past forty years or so. But at the same time, there are plenty of fields and ambitions where the reputational value of certain big names still has a disproportionate payoff, and maybe a few where those names are very nearly a requirement at the beginning, middle and end of a career.

This is and always has been in tension with other representations of meritocratic social mobility (which is an increasingly old-fashioned idea in any event as wealth inequality continues to grow in the US), that the mere name of Harvard or Yale could be a key to some kingdom. The main defense offered by elite institutions for the value of their name is that their selectivity in admissions justifies that respect, the excellence of their education justifies that respect, that they pick the most meritorious people to elevate to the elite and that they hone and improve that merit with the best teaching, the most resources, and so on. There’s been more and more skepticism from many fronts about how true this is, and whether graduates of these institutions should just be evaluated as no better or worse on average than the graduates of many public universities or second-tier private institutions.

Obviously these are not issues that I deal with from a distance. One of the things that occurs to me about Swarthmore and colleges like it is that I’m really quite confident in the strength of our claims for “value-added” in the education we offer when our graduates are heading into careers that closely match or derive from the fields of study that we offer.

Things get a bit fuzzier when students go into careers that don’t have any direct connection to the curriculum, but I still feel pretty good about how we develop skills, and even about the ultimate in fuzzy, fungible concepts, “critical thinking”.

Still, I also know that one of the things that positions students for different outcomes as they prepare to graduate is their store of cultural capital: how they talk, how they self-present in letters and resumes and interviews, the kinds of interstitial things they know about the world and how it works. Whether they know the unspoken and unwritten rules of the game in whatever game it is that they want to play, and if they don’t know, how canny they are about watching and snooping and figuring out what the rules are. Whether they drop names, and if they drop the right ones.

Once upon a time, the content of an elite education was much more closely mapped to the cultural capital of the elite: this is precisely what fed the resentment of ambitious outsiders like Richard Nixon for the Eastern Establishment. It’s the sort of world that’s very well portrayed in the film Quiz Story, a world where knowing the right things authenticated you in the social world of a certain kind of elite, and not knowing those things made you an outsider.

Today, for a zillion complicated reasons, many of them having nothing to do with the academy itself, the discrete knowledge that constitutes meaningful cultural capital within various professional and social worlds is much more fragmented, as are those worlds themselves. If you’re aiming for a career at Google or its competitors, you might be better off watching Doctor Who DVDs than you would be reading Wordsworth. If you’re hoping to be at a think tank studying national security issues, there’s a particular canon of writing about policy, military history, and political process that would have the biggest payoff. Sometimes you’ll get this in college, sometimes you’ll get it from friends, and sometimes you won’t get it until later.

This is fine: I am not one of those pining for the ability to compress the culture back into a tightly canonical straitjacket. What I wonder about is whether we equip our students with the ability to rapidly read, interpret and synthesize the cultural capital of a given professional world, and whether we programmatically help incoming students who don’t already have some of the baseline skills of effective self-presentation develop them by the time they leave.

What I fear is that the students who come in understanding the hidden rules (of the college, of the professions, of bourgeois manners) come out with more polish on that understanding, but that students who don’t come in with that experiential knowledge only acquire it in fragments, often through negative or bruising experiences with peers or indirectly negative communications from faculty.

But if we don’t have more programmatic, focused attention to building up skills of effective self-presentation, to building up a practical map of how the world works, that’s partly because it’s very difficult to figure out how to do that. The Professor Henry Higgins schtick doesn’t work in the real world (and doesn’t work all that well even in the story). And yet, it seems to me that you have to be able to speak directly and honestly, uncomfortably so, to purposely build up someone’s skills in this respect. When I hear a student describing a post-graduation ambition and that student plainly doesn’t know anything about the real-world contours and character of the professional world that they aspire to, I really want to step in, but supplying that information isn’t a matter of a single remark or correction. When I hear a student make an appeal, try to persuade a group, talk with an interviewer and every moment is catastrophically miscalculated, tone-deaf to the circumstances, I want to say something to them later: but what? It’s hard to do anything interpersonally, and doing something institutionally is nearly guaranteed to be a horrific snob-fest like some of the weirder rituals of elite British universities.

A lot of universities and colleges have their pretentions as well as legitimate ambitions deeply entangled in this problem. Even if I want to smash the idea that a Supreme Court justice simply must come from an Ivy League school, I’d still want all my students (wherever I taught) to be able to quickly read, understand and adapt to the cultural particularities of any professional or social world, and those particularities will always exist even if we dethroned the most obnoxious forms of insiderism.

Posted in Academia | 8 Comments

A Lord Byron in Every Cyberpot

I’m interested in seeing the film Catfish after reading A.O. Scott’s review. Still, Scott’s references to familiar examples of online deception coupled with his welcome awareness that literary and cultural fraud is an old and established part of American life got me thinking.

Public debates often get locked into two polar exaggerations, both because there’s a certain rhetorical economy to extreme shorthands and because various interested parties to such debates benefit from painting the conflict in dramatic, zero-sum terms. So in the case of social media, digital publication, and online discourse, when the talk turns to cases of deception, fraud or false identities, we end up talking about really dramatic, spectacular and horrific cases, and then the defenders of new media often end up insisting that these cases are highly unusual and that the typical use of social media is constructive, supportive, community-building and so on.

It’s true that there’s some spectacular examples of fraudulent self-presentation online. It’s true that many users of social media are engaged in rather banal, inoffensive sociality that differs very little from their everyday presentation of self, that these technologies merely extend or enhance existing communities.

In between, though, I think one of the things that has happened through digital media is the massification of self-performance, of crafting a self through the publication of text and image. It’s not that we’ve been delivered into a brave new world of spectacularly predatory frauds and newly vulnerable victims, nor been gifted a utopian tool for social formation. Instead, it’s everyman a Lord Byron or George Eliot, if he or she wants to be. The crafting of gentler fictions of selfhood, performative shadings and experiments of our everyday personalities, through disseminated publication, is now a widely distributed possibility.

I’m always a bit surprised when I encounter a humanist scholar, cultural critic, or writer who doesn’t see the connection between the modest crafting of public personas through social media and the way that literary figures in the 19th and 20th Century shaped their public selves through writing, letters and interviews. This certainly includes the darker side of such invention, that such performances sometimes became creative and psychological prisons for their creators, or that they obscured or enabled private hypocrisy and ugliness.

What’s the difference between the memorably hyperreal masculinity of Hemingway’s public persona and the kinds of shadings and craftings of personality that many social media users indulge in? Isn’t the distance between the public Lillian Hellman and the figure that Rosemary Mahoney’s memoir revealed the sort of thing that’s happening every day in the blogosphere or on Facebook? (And isn’t it just as sad and confounding a question of whether it’s even worth it to strip away the illusion, or when public selves deserve to be compared to private realities?)

The problem with our public conversation about new media is just that adjective: new. It invites confusion about just what is actually new here. What’s new is massification of a practice which was previously restricted to a small cultural elite. This is a very meaningful change, much as the massification of commodity production at the end of the 19th Century was for material culture.

But just as in the rapid spread of mass consumption over a century ago, the rage and fear of many dismayed critics is as much about the displacement of their claim to social distinction as it is an analysis of the likely consequences of massification. If everyone can make a literary self or cultural avatar who stands in for them in the public sphere, then crafting a memorably exaggerated literary self like Norman Mailer or Mark Twain or Jonathan Franzen is not in itself anything remarkable. If millions are doing it, most of their inventions will be banal, confused or generic, but there will be enough whose reading of the zeitgeist leads to some memorable performative response so as to demonstrate that past literary lives were less special or extraordinary in their inventions than their celebrants have so often proclaimed.

Less is not nil, and even if invention is massified, it remains still. Moreover, once the public wailing and gnashing of teeth by the newly dispossessed gives way to resignation and sentimentality, some good can come of it. Nostalgia for a cultural world that never truly was often stimulates the creation of future culture which is better than the imaginary past which it seeks to recreate. I don’t think anybody ever really ate like Slow Food in a pre-mass production food culture, but Slow Food’s sensual inventions in the name of that gustatory neverworld are cultural progress, an enrichment of the way we are now.

So maybe we’ll get to a point, when we grow up and get over the polar caricatures of our present conversation about digital media, where those who imaginatively dream about and prize a past world of writerly self-invention, of public literary selves, will find their own version of Slow Food to stand against the everyday self-performances of mass social media.

Posted in Digital Humanities, Information Technology and Information Literacy, Popular Culture | 2 Comments

Island at the Top of King Solomon’s Mines

Re-reading King Solomon’s Mines for today’s class, I was suddenly struck powerfully by a sort of deja vu. Not about the novel itself, since I’ve read it quite a few times, both for courses and otherwise. Nor even about the novel’s massive influence on Western pop culture set in Africa, which is the reason my students are reading it. Was it something in Frederick Selous’ writing, or Theophilus Shepstone’s, since Haggard had ties to both? No, that wasn’t it.

Suddenly I had it. I’d recently re-read an old copy of Ian Cameron’s The Island at the Top of the World, originally published as The Lost Ones in 1961. It was a copy that I’d had since I was a kid, when I read it a few times and really enjoyed it. (Never saw the Disney film based on the book, but my old copy has stills from it on the cover and back.)

It hit me all of the sudden: Cameron’s adventure (involving an expedition to find the secret graveyard of the whales in the Arctic, which leads to a hidden civilization of Norsemen) doesn’t just take some inspiration from Haggard’s King Solomon’s Mines. As I read the two books in parallel, I realized that Cameron’s book verges on plagiarism in several sections, especially in the beginning. The names are changed, the setting is Arctic Canada, but it’s close to a word-for-word reproduction at the start of the story.

Cameron turns out to the pseudonym of a writer who penned a number of fiction and non-fiction works under several names, very much the journeyman type who kept bookstores stocked with paperbacks in the 1950s and 1960s. So I don’t think his reusage of Haggard matters much in ethical terms. On the other hand, it’s yet another part of the machinery of cultural reproduction: if we find the structure and tropes of Haggard’s writing around every corner across the 20th Century, this kind of direct recycling is a part of how and why that happened.

I was also curious about whether anyone else had ever noticed the direct relationship between these two second-order adventure novels, and yes indeed, here it is in a discussion of fan-fiction, in a very pertinent and important observation about how fan-fiction is not at all a new practice, nor one dependent on digital communication. There’s just more of it, and a much wider diversity of non-commodified and commodified remixings now than in the past. As Tirathon suggests in his post, anybody worried about reusage of popular culture today should have been far more worried in the past.

Posted in Information Technology and Information Literacy, Popular Culture | Comments Off on Island at the Top of King Solomon’s Mines

How to Succeed as a Court Jester

If you want to be the kind of professorial public intellectual who gets quoted a lot or profiled in mainstream media, some advice (keeping in mind that I’ve done a few laps around that racecourse) about what to write and what to say. Either:

1) Confirm the conventional wisdom of reporters, policy wonks and mainstream politicians. Charts, graphs and big tables of quantitative data strongly recommended. If you can’t be witty, be relatively concise. Sound bites help.

OR

2) Be exactly 180 degrees contrarian to the conventional wisdom of reporters, policy wonks and mainstream politicians. Charts and graphs optional. See above on wit and sound bites.

What NOT to do:

1) Say, “It’s really complex”.

AND/OR

2) “There are a lot of different ways to look at this problem”.

That’s not being a public intellectual who gets quoted in the media, that’s being an intellectual in public. Completely different sort of thing.

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Optional super-advanced strategy for getting public attention in the press: say something indefensibly inflammatory at a rally or in an obscure non-scholarly article. Generally doesn’t work for professors on the right, who can write things like “Women had more freedom in 19th Century America” without drawing attention from mainstream media commenters.

Posted in Academia, Politics | 2 Comments

Toilers in the Trope Workshop

One of my hopes for cultural history & media studies courses that I teach is that students will learn not just how to read, analyze and critique expressive culture but also get some sense of how to produce it, use it, repurpose it. Knowing how culture works is a big part of working with culture.

I’m getting some new perspectives on this ambition in my current Image of Africa class. We’re looking at a series of discrete tropes, starting from their present and going back in time to discover where they came from. One thing that really hit me as I prepared the syllabus is that in many cases, contemporary producers of popular culture are at least intuitively knowledgeable about these kinds of histories. As you move back in time to the 1950s and 1960s in American pop culture, you come to a different strata where the repurposings of pre-1945 tropes dealing with Africa and empire have a brash, almost charmingly naive feel to them, with American archetypes (and white American paternalism) wandering around happily on some new playgrounds. And then you get back into the spawning grounds of a lot of these images and iconographies and it’s again quite different.

Seeing the evidence of knowledge among contemporary producers about the history of particular cliches, stock devices and imagery makes me think of a lot of pop culture as the work of trope technicians. You sometimes get the feeling that there is the interpretative equivalent of a bunch of Keebler elves perpetually on the prowl through the increasingly accessible catalog of 20th Century film, popular fiction, comic books, music and so on, following Wikipedia’s breadcrumbs into the trope-infested wilds and then leaving their own trails of breadcrumbs behind.

Trope technicians who come back with trophies from these expeditions usually make one of two patterned, structured choices about what to do with their catch. The first strategy is to make ironic, self-referencing, usually comedic use of what they’ve found, drawing whatever venom might have been in those images from the wound by winking at the audience. That approach capitalizes on varying layers of audience familiarity and comfort with stock images and tropes while leaving an escape route. The Simpsons and Futurama are the master class version of this approach.

Anther technical path for contemporary usage of stock devices retrieved from a century (or more) of pop culture is to carefully redesign them for contemporary sensibilities while retaining the iconic essence of the image or trope in question. Often this paradoxically involves making a period piece, setting the action in the past but infusing that past with the political and social consciousness of the present. The character of Remington in The Ghost and the Darkness, played by Michael Douglas, is a spot-on example of this strategy. He’s a Great White Hunter with a close familial relationship to his pop-culture ancestor Allan Quatermain, right down to having his own version of Umslopogaas.

It’s worth looking closely at how precise the re-engineering of Remington is. He’s a wholly fictional insertion into a sort-of-true story. The film’s producers want to catch all the iconic lightning in a bottle that the Quatermain lineage can provide while forgetting all the Bwana-laden Clyde-Beattyesque paternalism in between. So Remington has his close African friend and he has his loyal tribe of natives (Masaai, of course) whose customs he knows well. Unlike Quatermain, his familiarity extends to actually participating unselfconsciously in Masaai rituals, to finding himself more at home with them than with other white people. (Here he’s borrowing a bit of archetypical DNA from Richard Francis Burton and other colonial misanthropists, though Quatermain already has some of that going on in Haggard’s novels.) Remington is a hunter with a gift, but he hates killing animals. He’s a steely-eyed man of action who worries that he’ll lose his courage when the moment comes. He doesn’t wear the typical pith-helmeted or safari-jacketed ensemble of the stock version of his character, instead favoring what one film critic called a “hippie outfit”. He’s an American Southerner who fought for the South in the Civil War and lost his family, ending up lost and adrift in Africa (but obviously bearing no racial grudges).

That’s a character who is about as carefully calibrated as an NIST atomic clock, and a big reason why the film itself is rather lifeless. But the basic strategy is a fairly sound one for serious repurposing of images and tropes with resonant but ambivalent histories.

One other common technical strategy is to do what gamers call “reskinning”, to completely port over stock narratives, images and devices into a comprehensive new visual or descriptive scheme. Avatar is the example du jour, but it often crops up in science fiction, fantasy and other speculative genres. The question here is often whether to deliberately call back to the source material or not: the paratextual material surrounding Avatar went out of its way to document Cameron’s citations of past pop culture (and in his view, historical reality as well). But sometimes contemporary producers want to hide their repurposings, or aren’t even terribly conscious of what they’ve done.

Beyond these technical approaches to cultural production, there’s more creative work that remixes, references, rethinks and comments on powerful iconography, work that by definition can’t be pigeonholed as following a particular recipe. This is not to knock the technical forms I’m describing in contrast. I think those can be taught and they have a huge variety of uses. Genuinely original, creative, artistic work by contrast is almost unteachable, certainly unpredictable, and usually idiosyncratic.

Posted in Africa, Digital Humanities, Popular Culture, Production of History | 1 Comment

How Natives Think: About Presidents, For Example

One of the stories that American conservatives used to tell about themselves in the 1960s and 1970s was that they were the ones with the ideas, the people who had a structured, rigorous philosophy, the people who had intellectual standards and did their homework. In this self-flattering vision, liberals were described as emotion-driven, careless about the facts, and indebted to a hodgepodge assembly of ideas largely designed to support their own will to power.

Most American conservatives wouldn’t even bother with such a fable now, not the least because the circumstances which gave rise to this vision are about as remote from the present political scene as phlogiston is from contemporary chemistry. Sure, there are a few lost generation conservatives who try to imagine themselves as heirs to Buckley or Russell Kirk while also trying to suck up to the intensely anti-intellectual zeitgeist of Palin-Fox News conservatives. In a couple of cases, the painful Rube-Goldberg contortions that follow endear me to such figures: poor old Ross Douthat, for example, who seems dislodged from his proper place and time, a happier man had he graduated from Harvard in 1974.

In other cases, these are among the most pathetic, absurd figures in American public culture. Dinesh D’Souza is the chief example of this group. D’Souza was one of the first collegiate products of the funding largesse of self-proclaimed conservative intellectuals, bred in the mad science laboratory of the Dartmouth Review. His writing has always tried to simulate erudition while also looking for the perfect rhetorical dirty trick, the bad-boy zinger that would puncture the pretentions of his liberal contemporaries. It kind of worked back in his salad days, but the act these days comes off like watching Gallagher smash one more watermelon.

The only real shock at this point in time comes from a magazine like Forbes, which I would have thought wanted to hold on to some sense of discretionary judgment, publishing a weird bit of decomposing D’Souza nonsense about Obama’s indebtedness to his father’s anticolonialism.

D’Souza’s understanding of anticolonialism in this article isn’t even wrong. It reminds me of that rare (around here, at any rate) annoying undergraduate writer who produces unanimous amused disdain among professors of any ideological or pedagogical slant, the kind of student who simultaneously:

a) very obviously did none of the assigned reading;
b) makes shit up based on a garbled mixture of stuff they overheard drunk adults at their parents’ parties say, stuff that their junior high school sports coach/history teacher/fringe political activist used to say, and stuff they kind of remember seeing on Wikipedia somewhere;
c) adopts a rhetorical pose that is 50% bombast and 50% faux-erudition.

It’s the kind of stuff that barely qualifies the writer to be a forum troll, let alone published in a mass-circulation magazine.

African anticolonialism in the 1950s and 1960s didn’t entail any specific view of the state, capitalism, globalization, liberalism, or the desirability of French cuisine. Among the anticolonial activists of Barack Obama Senior’s generation across Africa were devoted American allies in the Cold War, explicitly pro-capitalist figures, hardcore cultural conservatives, devoutly Catholic or Christian leaders, anarchists, socialists, Anglophiles and Francophiles, Maoists, and so on. You name it. The hard thing is to find any African of that time who had a secondary school education or higher and was overtly procolonial, though there are some interesting cases who I think historians should study much more than we do.

Among the many things D’Souza gets confused about is the relationship between anticolonialism and the belief that Africa (or other postcolonial societies) needed to struggle against neocolonialism, the ongoing intervention of former colonial powers and new hegemons like the United States and the Soviet Union. I’m certainly one of the most skeptical people in my field about whether neocolonialism was as powerful or coherent as some figures then and now claim it was, but come on, Francophone Africans weren’t hallucinating all those times that the French landed paratroopers in postcolonial Africa to rearrange governments to their liking. Or that the currency of Francophone Africa was tied to the French franc. Or that various postcolonial autocrats were bought off as proxies by Cold War powers on all sides.

In any event, what various anticolonial Africans of Obama Sr’s generation thought about neocolonialism as an issue was as diverse as what they thought about colonialism itself. Many of them quickly turned their political vision to local struggles rather than international ones. Prominent Luo intellectuals and politicians in Kenya were a great example of this turn, including Obama Sr. What Obama Sr. was, and many anticolonialists (but not all) became, is a nationalist. But considering that nationalism is one of the animating spirits of much of the American right at the moment, maybe D’Souza judges it best not to use that word.

The point is, even if Obama actually did feel some distant loyalty to his father’s struggles, that’s roughly as specific an object of attraction as my youthful sense of romantic connection to Irish nationalism based on growing up listening to “The Rising of the Moon”, watching Darby O’Gill and the Little People and occasionally hearing my grandfather growl some vague bullshit about his parents from Ireland and how the British were bastards. E.g., an impact on my adult politics somewhere between null and not-a-fucking-drop. Obama’s utterly mainstream American moderate liberalism doesn’t need any more complicated geneaology than FDR begat Truman begat Johnson begat Tip O’Neill begat Clinton: anything else is pure racial dog-whistling.

Which is where D’Souza’s sad devotion to the ancient religion of “conservatives have ideas and facts and knowledge” really becomes apparent. Reading the article is like watching some aging free spirit of the 1920s limp with a cane into a crowd of 1968 Yippies and awkwardly try to hang out with the new counterculturalists. You don’t need to even pretend to have done some research or read something now, Dinesh: you can just go straight to the crazy frothing at the mouth. The rough new beasts already got to Bethlehem long since. Catch up.

Still, there is one moment where D’Souza at least reveals fairly nakedly what the new narrative of cultural conservatism has become. See, the thing is, he also knows what anticolonialism is, no research required, because he’s a native of Mumbai. That is as perfect a distillation of the kind of identity politics that American conservatives used to find a risible addiction of the left, the assertion that identity confers automatic authority. (If nothing else, it’s a weird bit of first-as-tragedy then-as-farce looping back to Obeyesekere and Sahlins’ debate.)

Still, here at least D’Souza reads his audience well. The baseline character of all identity politics finds its truest expression in contemporary cultural conservatism in the United States, and pretty well underscores Micaela di Leonardo’s prescient observations about its reactionary origins. In many ways, post-1970 identity politics and multiculturalism were a rhetorical refurbishing of earlier 20th Century hard-knuckle ethnic struggles for influence and spoils in urban politics. As conservatives have cast themselves more and more as one more identity entitled to their share (and more) because of who they were and because of ‘historic oppression’, not because of the substance or empirical validity of their thought, it’s not surprising that they’ve more and more explicitly converged on a narrowly circumscribed racial and class identity as well.

As with all cases of mobilization around identity, the more powerful the claims about a natural alignment between a political ideology and a particular race/class/gender, the more that this construct allows people who really don’t fit the visible requirements to strategically perform their belonging. Just as upper-middle class African-Americans have sometimes argued that their experience of race trumps class and thus aligns their interests with all individuals in their identity category, so now are wealthy plutocrats in the Republican Party able to argue that they’re neither of government nor wealth and so belong to and with the struggling angry white men and women of Tea Parties around the nation.

As also, perhaps, certain natives of Mumbai.

Posted in Politics | 1 Comment

I’m Shocked, Shocked That There’s Hatred Going On Here

Ta-Nehisi Coates picks up on an NPR piece about government hostility towards homosexuals in Uganda, and an interesting comments thread follows.

This is an issue that I’ve thought about for a long while, partly due to the influence of my friend Marc Epprecht’s groundbreaking work on the history of homosexuality in Zimbabwe, as well as the work of numerous other scholars who have dealt with similar issues in African history and in the politics of contemporary African societies.

On one level, there are a lot of subtler villains to chase out besides the authoritarian demagogues and amoral American evangelical activists, and some of them are pretty close to home for scholars studying Africa or other societies subjected to modern European colonial rule. This is one domain that lays out some of the really troubling consequences of a kind of slurried, careless combination of nationalist politics and postcolonial theory that ends up bracketing off the “Western” or “liberal” or “modern” in colonized societies as always invasive, dominant, hegemonic, compromised. This is what I sometimes call the “spot the hegemon” mode of cultural criticism. There are a lot of intellectuals who tut-tut and protest that this is a vulgar misreading of their arguments, and in many cases, that’s a fair enough objection–but it is a misreading which nationalists have often performed off of some consistent tendencies in postcolonial theory.

Whatever its genesis, anti-homosexual sentiment in contemporary Africa frequently is based on a claim that anything with a visible tie to “the West” is a contaminant. Nativism of one kind or another is a common pathology of modern nationalism: witness periodic moral panics in the United States and Western Europe about practices or trends deemed to be “foreign”. The thing of it is that it is empirically true that homosexual identities in contemporary Africa have some historical connection to the imperial and globalizing power of Europe in Africa since 1860. Not homosexual practices: as Epprecht and other scholars have made clear, homosexual acts are as much a part of African history as they are the history of every other human society. When we find a society in history where human beings didn’t fuck in just about every possible configuration of fucking imaginable, we’ll be in the presence of a real anomaly. Identities, people who say, “I am a homosexual”? That’s new, but so are people who say, “I am a man”, “I am a woman”, “I am an African”, “I am a Catholic”, and so on. A shopworn point by now about identity versus act, but never more important than in this context.

But you can’t adopt an emancipatory or activist position towards homosexual identities in contemporary Africa without thoroughly purging a cultural politics that is invested in nationalist (or racialist) purity, or that wants to somehow resurrect a pre-Western authentic.

Now on the other side of things, I guess I’m puzzled by the people who wonder why American evangelicals have been pushing their ideas about anti-homosexuality in Africa. Here there’s another branch of recent historiography that’s helpful, the kind of work that Catherine Hall, Antoinette Burton and Phillipa Levine, among others, have done to lay out the extent to which moral and cultural struggles in the metropolitan West have frequently involved a kind of feedback loop that takes those struggles out to peripheral theaters and then brings them back again.

The evangelists who profess surprise that Uganda has taken their agenda and turned into a far more draconian assault not just on homosexuality but on homosexual persons? They might be naive, I suppose, but mostly I think they’re just crying crocodile tears. The thing which makes African governments an attractor for all variety of civil and cultural activists in the West (including many people ostensibly on the left) is precisely that they appear porous, manipulable, buyable, biddable. An experimental laboratory for the fantasies of development experts, cultural conservatives, al-Qaeda-containing 4GW wonks, conservationists. Of course it never turns out that way, because that biddability is only the performative presentation that postcolonial elites have honed to perfection. What happens when you pour money, cultural energy, and the circulation of texts, people and objects into a system is sometimes the murderous legal diversions of the contemporary Ugandan state, and sometimes it’s the kind of farce that Norman Rush skewered so wonderfully in his novel Mating. But there’s nothing especially novel in American evangelicals trying to export a thwarted hate campaign and discovering that African recipients of their message cut straight to the heart of the matter and dispense with the Trojan-horse cultural rhetorics. It’s happened before, and will happen again.

Posted in Africa, Politics | 3 Comments

If All the Other Kids Jumped Off a Bridge…

I have surrendered to Twitter.

Posted in Blogging, Digital Humanities, Information Technology and Information Literacy | Comments Off on If All the Other Kids Jumped Off a Bridge…

Looking Backwards

In a few weeks, I’m going to be talking about how searching as an act changes when the digitized texts you’re searching through are either highly specialized in their content or are from a distinctly different era of rhetoric and publication than the past fifty years of mass media.

The example we’ll be working with in class is how rhetoric about Africa as violent or prone to atrocity is still very present in early 20th Century and 19th Century English-language newspapers, but how you can’t find that language using a contemporary sense of those tropes. Having a sense of how stories about civil conflict and genocide in Congo or Sierra Leone or Darfur circulate into popular media (say, in films like Tears of the Sun) is a pretty fair guide to the next step back into history, giving you clues about how to find similar representations of conflicts in the 1960s and 1950s. It even helps some with searching for similar images in the high colonial era, between the world wars.

But go back into a digitized collection of 19th Century newspapers and the hits vanish. Which might tempt the incautious searcher to conclude that these kinds of tropes and imagery are largely a product of post-1960 global politics or post-1960 racial ideas or post-1960s media environments or some combination of same. And in one sense that’s true: when the rhetorical forms and practices change, the ideas themselves change in their meanings, uses and so on. In another sense, it’s not true at all: there’s a relevant history that keeps going back into the 19th Century, and those digital collections are useful for studying it.

I think this problem is the kind of thing that academic experts need to talk more about if they’d like to promote some critical wariness about the future of knowledge in a digital, crowdsourced age. Absence from search space in many cases is taken as absence from knowledge. I really like the site TV Tropes but you can see what happens when the aggregated knowledge of participants is largely presentist or limited to what can be found by following a series of very obvious digital breadcrumbs from the texts that you know to the texts which are only one or two degrees separated from what you know. That’s the kind of process that forms a sort of paratextual, triangulated knowledge of the entire space of popular culture, how most of us know something about shows and games and books that we’ve never directly consumed. Anywhere that strong, visible intertextuality in a cultural cluster gives way to much less obvious links backward into a different era of texts, discourse and publication, that paratextual awareness gives way to a void.

Sometimes strong acts of contemporary creation draw more and more people into past cultural moments that were previously absent in a contemporary cloud of references. There are people who are like miners or archaeologists, digging into how past writing or speech sounded and looked, what the terms and boundaries of a past rhetoric were, so that they can recreate those terms in the present and craft something that is both familiar and novel at the same moment. Steampunk or Patrick O’Brian novels provide some good examples. But even there, often contemporary audiences largely know more distantly pastward culture and rhetoric through what those creators do to reprise or revisit it.

Humanists who are familiar with the sound and feel and cadence of past rhetoric, or with contemporary bodies of speech and representation which are outside of common Wiki’ed reference today, can talk as experts about what happens to a particular set of images or representations when you travel outside of those shared domains of crowdsourced knowledge. But I think we can also teach others to search and read in those unfamiliar spaces when they happen to be digitized.

The first thing that you do as a guide is to get students or audiences to simply read and experience the totality of a new discursive space or media form, to put aside for the moment a directed search towards some known, predetermined research agenda. My argument to my class is going to be that you can’t find how 19th Century British newspapers talk about “tribes” in Africa or how they represent Africa as violent and atrocity-prone without first understanding how those newspapers were composed and read as a whole, how the nature of newspapers at that moment was significantly different.

This is, of course, a lot of work, and that’s one reason that we can argue that there’s a really strong and continuing value to scholarly expertise in the humanities–that we read and know about a much larger universe of textual production and circulation than what’s inside the seemingly huge boundaries of crowdsourced knowledge about expressive culture. But at the same time, it doesn’t do us much good to put that claim forward if we’re not willing to interact generatively with what’s already in circulation, and to explain both what’s out there in that broader universe and the process by which anyone could become familiar with the patterns and cadences in a previously unfamiliar cultural space or media form.

Posted in Africa, Digital Humanities, Information Technology and Information Literacy, Popular Culture | 1 Comment