MOVEMENT THEATRE WORKSHOP SOIREE
5pm, Thursday May 2
Tarble in Clothier (upstairs space)
Come see a series of short pieces created by students in this
semester’s Movement Theatre Workshop. The pieces will include mask
work, a melodrama, tragic chorus pieces and other original works of
physical theatre created by the students during the semester. Should
last no more than an hour. –Professor Quinn Bauriedel
Monday, May 6th
4:30PM
LPAC Boyer (#003)
The ballet pointe repertory class will present a showing of four works that integrate pointe technique, musicality and performance quality. The pieces include “Pas de Trois” from Petipa’s Swan Lake with music by Tchaikovsky, Jerome Robbins’ “2&3 Part Inventions” set to piano exercises of Bach, and the “Gold” and “Diamond” variations from Petipa’s Sleeping Beauty, also with music by Tchaikovsky.
and
Bryan Chen ’15 will also present his latest multimedia, experimental dance piece with puppetry in LPAC Troy (#002).
Please come support these student showings of some works in progress!
The Swarthmore College Dance Program presents the 2013 Spring Student Dance Concert which features African, Circus Arts, Flamenco, Kathak, Modern, Taiko and Tap performances. There will be several pieces using live music. Come celebrate our graduating seniors and the hard work and creativity of all our dance students and faculty. The concert, which is appropriate for all ages, is free and open to the public.
LPAC Pearson-Hall Theatre
Swarthmore College
May 3 and 4 at 8PM
Info: lpacevents@swarthmore.edu
Another Arts Weekend dance event featuring the Making Moves troupe!
In this year’s Making Moves project, six Swarthmore students and three mentors from idiosynCrazy productions (a Philadelphian dance company) have constructed a studio practice in which play takes precedence. This research in the studio has been conducted collaboratively, and has prioritized the exploration of a variety of creative practices, and what will be shown are the fruits that have derived from that constructive play. On Sunday, April 14th, starting at noon, viewers will see two site-specific experiments happening around the Lang Performing Arts Center: “something that we like to call “The Monster”, and an in studio piece exploring the American workforce.” The experiments being shown are not complete works; they are offerings of ideas gathered ideas to be happened upon by whomever is curious.
Performance: 12-1:30PM, in and around LPAC
Discussion following the performance 2PM in the LPAC Troy Dance Studio
Parampara, choreographed by distinguished Cornell Visiting Professor Kumudini Lakhia, will feature renowned Kathak performers from Kadamb Centre for Dance in Ahmedabad, India, members of Philadelphia-based dance company Courtyard Dancers (founded by dance faculty member Pallabi Chakravorty), and Swarthmore students. Kathak means “one who tells stories,” and this classical dance form gets its name from Indian communities that sang, danced, and narrated stories.
The performance will be followed by a panel of scholars and artists who will discuss the trajectory of Kathak in the 21st Century.
Saturday 4/13 LPAC Pearson-Hall Theatre
Congratulations to Jalisa Roberts ’13 for winning the SwatTank competition in the single person team category! Jalisa will get help with her non-profit venture in New Orleans next year and beyond! Jalisa (Mentored by Hofan Chau’03 and Katherine Lam’11) won for her proposal of a non-profit venture using dance to rebuild community in East New Orleans. The program will go beyond training dancers, but will provide access to leadership and educational mentoring for young people, helping them to grow into creative, informed and dynamic leaders.
Mark your calendars for a lecture with Associate Professor Pallabi Chakravorty on Thursday, April 4th, 4:30-5:30PM in the Kohlberg Hall, Scheuer Room!
Pallabi will be speaking about “Lens on Reality: Media, Sensuous Ethnography, and New Dance in India.”
Truly one of the highlights of the Subaru Cherry Blossom Festival – the Tamagawa Taiko Drum and Dance group return to Philadelphia for a week of awe-inspiring performances. Ready yourself for thundering drums, intricate dances, beautiful costumes and a whole lot of fun.
Taiko drumming has been a feature of the College’s dance offeringsfor nearly a decade, thanks largely to the efforts of Associate Professor of Dance Kim Arrow . This event showcases the significant relationship between the College and Tamagawa University in Japan. The renowned Tamagawa Taiko Drum and Dance Group return to Philadelphia for a week of performances. Heart-pounding drum rhythms intermingle with elegant dances in breath-taking fashion to create unforgettable memories. Experience the relentless energy and stunning visuals as Tamagawa takes you on a journey through ancient and modern Japan.
Please note: seating is limited and first-come-first-serve.
Free Admission Swarthmore College, Lang Concert Hall
Bryn Mawr College Performing Arts Series Closes 2012-2013 Season with Tour-De-Force Performance by Sheetal Gandhi on March 22
Final performance caps season of virtuosic and adventurous works in the arts
BRYN MAWR, PA – February 27, 2013 – The 2012-2013 season of the Bryn Mawr College Performing Arts Series concludes Friday, March 22 with Bahu-Beti-Biwi, a solo performance by intercultural, multi-disciplinary director, choreographer and performer Sheetal Gandhi. Reviewed as “striking” and “stunning” in The Philadelphia Inquirer, Gandhi incorporates elements of contemporary and traditional dance, dramatic multi-lingual vocalizations and percussive text to comment on the Indian diaspora and the traditional roles of women in India.
In Bahu-Beti-Biwi, which translates to Daughter-in-law, Daughter, Wife, movement and music create the transition between characters inspired by women from Gandhi’s life. The piece is influenced by North Indian musical traditions that are brought into a contemporary context. Humor and tension create a platform for scenes of freedom and compromise, desire and longing, duty and love. Gandhi has performed the work around the globe.
“Bryn Mawr, an all-women’s college, looks forward to presenting Sheetal Gandhi’s important take on the changing roles of women. Gandhi is a mesmerizing performer who both entertains and addresses challenging issues,” says Lisa Kraus, Coordinator of the Bryn Mawr College Performing Arts Series.
Thursday March 21
– 4-5:30 pm Master Class: Sheetal Ghandi (this is the time we traditionally use for this, as a class meets at this hour) – Pem Studio
Contemporary Kathak class which specifically focuses on learning the rhythms and the rhythmic cycles used in North Indian classical music, some technique from this form, and then a short traditional piece. I show them how I translate the piece into a more contemporary language, and they learn this as well. It is a speaking/dancing class. I do this most often with students coming from a dance background. The rhythms can be learned by anyone, but when we get into the real choreography of it, it is better if they have some dance background.
– 7pm Lecture-demonstration Aspects of Ms. Gandhi’s experience moving from traditional forms and developing into a multi-disciplinary artist who works in a variety of theatrical contexts (possibly including screening of video clips).
Friday, March 22
-12-1:30 – Lunch in the Dorothy Vernon Room at Bryn Mawr for students of South Asian Women’s club and anyone interested in an informal meeting and discussion
-8 pm Performance: Bahu Beti Biwi – on McPherson Stage
Saturday March 23
-10:30 -12:00 am Community Class in Bollywood Dance (children and adults) – on McPherson Stage
-12:30 – 2:30 pm Workshop: These Embodied Voices – on McPherson Stage
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Bryn Mawr’s Campus is located at 101 N. Merion Ave. Tickets to individual events in the Bryn Mawr Performing Arts Series are $20 for general admission, $18 for seniors, $10 for students with ID and Dance Pass holders, and $5 for children under 12. Tickets and more information are available online at brynmawr.edu/arts/series.html or by calling 610-526-5210.
ABOUT SHEETAL GANDHI
Sheetal Gandhi is a veteran performer whose career has spanned genres and disciplines for the last fifteen years. She worked as a creator and performer in Cirque du Soleil’s Dralion, played a leading role in the Broadway production of Bombay Dreams and is featured on the original American cast album of Stephen Schwartz’s Children of Eden. Most recently, Gandhi was the choreographer for Los Angeles based Cornerstone Theater Company’s first-ever musical, Making Paradise: The West Hollywood Musical. Gandhi is a 2011 recipient of the prestigious C.O.L.A. grant, awarded by the Los Angeles Department of Cultural Affairs and a recent APPEX (Asian Pacific Performance Exchange) fellow, participating in a three week international artistic residency in Bali, Indonesia. Gandhi’s solo and group work has been presented in theaters around the country including REDCAT (Los Angeles), Asia Society (New York), Mu Performing Arts (Minneapolis) and ODC Theater (San Francisco) as well as national and international Festivals including Black Magic Woman Theater Festival (Amsterdam), The National Asian American Theater Festival (New York), Bridges Choreographic Dialogs (Israel), Delhi International Arts Festival (India), Festival of Contemporary Dance (Mexico), and more.