Celebrating 100 Years of the Women’s International League for Peace and Freedom, 1915-2015

The Swarthmore College Peace Collection is sponsoring three exhibits this summer. The first opens this week.

Celebrating 100 Years of the Women’s International League for Peace and Freedom, 1915-2015

WILPF_exhibit_2015

Exhibit:
McCabe Library Atrium, June 10, 2015 through June 30, 2015

Opening Event:
June 11, 2015, McCabe Library Atrium, 1 p.m. to 3 p.m., with reception
“Our Grandmother’s Voices” with WILPF member Robin Lloyd, whose grandmother attended the first WILPF meeting at The Hague in 1915.

Co-sponsored by the Swarthmore College Peace Collection and the Greater Philadelphia branch of WILPF

contact Wendy Chmielewski at wchmiel1@swarthmore.edu for further information

ShaKea Alston ’17 Receives Coveted Arts Internship

Congratulations to ShaKea Alston ’17, a special major in Peace and Conflict Studies and Dance for winning a coveted arts internship during which she will be working at the documentary company POV, which many of you may associate with PBS public television.

This story was initially posted by the News and Information Office.
By Ryan Dougherty
June 5th, 2015

Shakea Alston '17In February, ShaKea Alston ’17 had a video interview for a coveted internship with theDiversity in Arts Leadership program in New York City. She thought it went well but stayed realistic about her chances to be one of the 12 students chosen from the 100 interviewed.

But two months later, while studying in McCabe Library, she got the call.

“I was pretty excited and a little surprised,” says Alston, a special major in peace and conflict studies and dance from Bronx, N.Y. “After applying for something so competitive, it’s validating to hear they felt strongly enough about my qualifications and potential to accept me.

“Needless to say,” she adds, “it was an awesome study break!”

The Arts & Business Council of New York, a non-profit division of Americans for the Arts, placed Alston and 11 other students at host arts organizations throughout New York City. The program was created to promote diversity in the field of arts management and stimulate creative partnerships between the arts and business communities in New York.

This week, Alston began interning with American Documentary | POV, a series that offers alternative viewpoints to mainstream media. She works in the development department, researching funding prospects and helping to coordinate the launch of the new season of POV, among other tasks.

“I’ll also be going on site visits to see where the other members of the cohort are interning and what they’re working on,” she says, “and participating in networking and cultural/arts events around NYC.”

Arts organizations serving as intern hosts represent an array of disciplines such as music, dance, theater, visual arts, museums, and arts services. The program matches students with business mentors who guide their personal and professional growth throughout the summer, and it connects students to an alumni network.

Looking back on her first two years at Swarthmore, Alston cites “The Arts as Social Change” course taught by Sharon Friedler, director of the College’s Dance Program, as pivotal. It offered her the chance to intern with Dance/USA Philadelphia and gave her experience with proposing and writing a grant with classmates, which helped her in her internship with the Innocence Project last summer.

“On a more theoretical level,” she says, “the course definitely changed how I thought about and engaged with art on a personal level, and allowed me to share these new ideas with my classmates.

“The course also helped me think about and form my special major, by thinking about the intersection between dance, identity, community engagement, peace, and a whole bunch of other things I haven’t quite articulated yet.”

While Alston will do everything possible to be in the moment this summer, learning all that she can from her mentor, peers, and program alumni, she’ll also have an eye to the future.

“I hope to see how my interest in the arts can continue even after I stop performing or practicing dance per se,” she says. “I’m not entirely sure what I’ll do after college, though I will say if someone in the future told me I was working in the development office of a major dance company, I’d be pretty happy and unsurprised to hear it.”

 

New cases added to the Global Nonviolent Action Database

Seventy-six new cases have been added to the Global Nonviolent Action Database by students in the spring semester Strategy and Nonviolent Struggle course at Swarthmore College.

The Global Nonviolent Action Database presents cases of nonviolent civil resistance from around the world, spanning decades and even hundreds of years. Data is provided in a narrative format, and each case is classified across a number of criteria to allow for comparisons and advanced searches.

A selection of the new cases include:

Glasgow rent strike 1915 BBC CC

Glasgow Rent Strike during World War I (BBC)

To view more than one thousand cases of nonviolent civil resistance in the database, visit http://nvdatabase.swarthmore.edu and follow on Twitter and Facebook.

 

Congratulations to the class of 2015!

As we begin commencement celebrations, we want to extend our warmest congratulations to our graduating seniors and their family and friends!

  • Amanda Beebe
  • Brian Kaissi
  • Lauren Mirzakhalili
  • Osazenoriuwa Ebose
  • Averill Obee
  • Michael Herbert
  • Sarah Gonzales

It has been a pleasure to work with you, and we look forward to remaining in touch as you begin new chapters and new work!

We know that you go forward prepared to think about how to conduct conflict in constructive ways, how to advance justice, and how to cultivate more peaceful human relations.  Let’s support each other in our efforts, and we hope the Peace and Conflict Studies Program will remain a base for collaboration and mutual education.

Again, congratulations!!

Swarthmore Commencement

 

Call for Writers from thINKingDANCE (Deadline June 1, 2015)

CALL FOR WRITERS

thINKingDANCE is a online journal that seeks to catalyze conversation about dance and develop the skills of dance writers in the Philadelphia area. It presents reviews, features, interviews, and ‘think pieces,’ and embraces new modes of thINKing about dance (http://thinkingdance.net/)

We are looking for NEW WRITERS and encourage the following people to consider joining us:

  • those who want to develop their writing skill and are interested in the practice of constructive critique
  • individuals new to writing who connect strongly to dance (artists, audience members, presenters)
  • people new to dance who connect strongly to writing (poets, journalists, scholars, students)
  • anyone interested in experimenting with new journalistic forms
  • advocates committed to covering diverse styles and genres of dance

What do we expect of thINKingDANCE WRITERS?

  • writers will attend a meeting on the first Tuesday (7-9pm) of each month
  • writers are invited to about four workshops/retreats per year (typically on a weekend day)
  • writers are expected to contribute 6-10 articles per year

How do thINKingDANCE WRITERS benefit from being involved?

  • access to free workshops by leading dance writers and scholars
  • mentorship by experienced dance writers, with two rounds of editing on each article then published on the website (which is read internationally)
  • stimulating networking opportunities with the other TD writers
  • a small honorarium for participation
  • a wonderful outlet for creative thINKing
  • privileged access to a diversity of performances in Philadelphia

How to apply?

 

Please send by email:

 

  • a Letter of Interest indicating any relevant experience and motivation for participating (1page maximum)
  • a short writing sample—it need not be dance-related (1200 words maximum)

 

Send to Kirsten Kaschock (TD Editor): editor@thinkingdance.net

Deadline for application materials: June 1st, 2015

Criteria for Selection:

  • potential for committed engagement and willingness to make full use of this professional development opportunity
  • diversity that represents the broad dance constituency in Philadelphia
  • a writing sample that demonstrates some of the following: creative expression, English language fluency, curiosity, a distinctive voice, and provocative ideas

 

 

thINKingDANCE is a consortium of dance artists and writers who work together to comment widely on the myriad forms dance can take. Based in Philadelphia, thINKingDANCE works to increase visibility for local dance, encourage new forms of dance writing, broaden the scope of our coverage, and increase audience receptivity to dance. We do this through live events as well as on-line at www.thinkingdance.net. Our director and editor-in-chief were founding members, and our other positions (in communications, editorial, and education) are culled from within. All members are encouraged to participate in the areas of our organization where they have interest and expertise.

thINKingDANCE has been supported by The Pew Center for Arts & Heritage, Philadelphia Cultural Fund and Pennsylvania Council of the Arts. Partners include the LAB (Live Arts Brewery), DanceUP, and Philadelphia Dance Projects. 

 

 

 

Call for Writers from thINKingDANCE (Deadline June 1, 2015)

CALL FOR WRITERS

thINKingDANCE is a online journal that seeks to catalyze conversation about dance and develop the skills of dance writers in the Philadelphia area. It presents reviews, features, interviews, and ‘think pieces,’ and embraces new modes of thINKing about dance (http://thinkingdance.net/)

We are looking for NEW WRITERS and encourage the following people to consider joining us:

  • those who want to develop their writing skill and are interested in the practice of constructive critique
  • individuals new to writing who connect strongly to dance (artists, audience members, presenters)
  • people new to dance who connect strongly to writing (poets, journalists, scholars, students)
  • anyone interested in experimenting with new journalistic forms
  • advocates committed to covering diverse styles and genres of dance

What do we expect of thINKingDANCE WRITERS?

  • writers will attend a meeting on the first Tuesday (7-9pm) of each month
  • writers are invited to about four workshops/retreats per year (typically on a weekend day)
  • writers are expected to contribute 6-10 articles per year

How do thINKingDANCE WRITERS benefit from being involved?

  • access to free workshops by leading dance writers and scholars
  • mentorship by experienced dance writers, with two rounds of editing on each article then published on the website (which is read internationally)
  • stimulating networking opportunities with the other TD writers
  • a small honorarium for participation
  • a wonderful outlet for creative thINKing
  • privileged access to a diversity of performances in Philadelphia

How to apply?

 

Please send by email:

 

  • a Letter of Interest indicating any relevant experience and motivation for participating (1page maximum)
  • a short writing sample—it need not be dance-related (1200 words maximum)

 

Send to Kirsten Kaschock (TD Editor): editor@thinkingdance.net

Deadline for application materials: June 1st, 2015

Criteria for Selection:

  • potential for committed engagement and willingness to make full use of this professional development opportunity
  • diversity that represents the broad dance constituency in Philadelphia
  • a writing sample that demonstrates some of the following: creative expression, English language fluency, curiosity, a distinctive voice, and provocative ideas

 

 

thINKingDANCE is a consortium of dance artists and writers who work together to comment widely on the myriad forms dance can take. Based in Philadelphia, thINKingDANCE works to increase visibility for local dance, encourage new forms of dance writing, broaden the scope of our coverage, and increase audience receptivity to dance. We do this through live events as well as on-line at www.thinkingdance.net. Our director and editor-in-chief were founding members, and our other positions (in communications, editorial, and education) are culled from within. All members are encouraged to participate in the areas of our organization where they have interest and expertise.

thINKingDANCE has been supported by The Pew Center for Arts & Heritage, Philadelphia Cultural Fund and Pennsylvania Council of the Arts. Partners include the LAB (Live Arts Brewery), DanceUP, and Philadelphia Dance Projects.