Category Archives: Theater

Theater

AUDITIONS: The 25th Annual Putnam County Spelling Bee

Fall 2017
SWARTHMORE COLLEGE
produced by the Theatre Department
in collaboration with the Music and Dance Department

AUDITION ANNOUNCEMENT

**Casting 8 singing roles and 1 non-singing role**

AUDITIONS:
Monday, Sept 4, 7-10:30pm
Tuesday, Sept 5, 7-10:30pm

AUDITION LOCATION:
The Kuharksi Studio, rear entrance of The Matchbox

***********

ABOUT THE PRODUCTION/COURSE

In Fall 2017, Swarthmore’s Theatre Department will be working on a production of the Broadway hit The 25th Annual Putnam County Spelling Bee. The show will be presented as part of the Theatre Department Course “Production Ensemble” (THEA 22), which is designed to provide students the opportunity to work with professional theatre artists in the creation of a fully-designed and rendered production. Students cast in the show will have to enroll in THEA 22.

ABOUT …SPELLING BEE

Winner of the Tony and the Drama Desk Awards for Best Book, The 25th Annual Putnam County Spelling Bee has charmed audiences across the country with its effortless wit and humor.

An eclectic group of six mid-pubescents vie for the spelling championship of a lifetime. While candidly disclosing hilarious and touching stories from their home lives, they spell their way through a series of (potentially made-up) words, hoping never to hear the soul-crushing, pout-inducing, life un-affirming “ding” of the bell that signals a spelling mistake. Six spellers enter; one speller leaves! At least the losers get a juice box.

HERE’S WHAT YOU NEED TO KNOW ABOUT AUDITIONING

We’ll be auditioning actors for all roles, including the non-speaking role.
If you’re interested in auditioning for this production:

1) SIGN UP:
Please sign up for an audition slot by filling out the online sign-up form which can be found here: goo.gl/W7mdMc. Walk-up auditions are possible, but those who have signed-up will have first priority.

2) PREP FOR YOUR AUDITION:
For the audition, we’ll ask you to do two things: sing and to tell us a story.

• For the song: please prepare 32-bars of a song from a musical or a contemporary pop song. Please bring sheet music in the correct key, an accompanist will be provided. If you’d like to sing a capella, that’s okay, though an accompanied song is preferred. It is perfectly acceptable to sing music from SPELLING BEE, but please still bring a copy of the music. • For the story: Tell us a 1-2 minute story about yourself, something you find funny, sad, or moving. We’re using this opportunity to meet you and get to know you a little bit.

• If you’re auditioning for the non-singing role, you will be asked to ONLY tell us a story; you will not be required to sing.

• If you don’t know the show, take a listen to the soundtrack to get a sense of the show’s style, humor, and music.

3) CALLBACKS:
Select students will be invited to a Callback Session on either Wed, Sept 6 (7-10:30pm) or Thurs, Nov 7 (4-10pm).

4) NOTIFICATIONS:
Callbacks will be posted late on Tuesday, Sept 5th. Casting will be announced the morning of Friday, Sept 8th.

5) TAKE A LOOK AT THE PRODUCTION SCHEDULE:
• All cast performers are required to sign up for THEA 22 and be available for all rehearsals, which occur on:
Sundays 12-6pm
Tuesdays 7:30-10:30pm
Thursday 4:10-7:30pm

• You may be asked to schedule time with the production’s vocal coach outside of rehearsal times, though we will set this around your existing schedule.

• Cast members will also need to be available for all technical rehearsals:
Friday, Nov 3 – 6-10pm
Saturday, Nov 4 – 10am-10pm
Sunday, Nov 5 – 10am-10pm
Monday, Nov 6 – 6-10pm
Tuesday, Nov 7 – 6-10pm
Wednesday, Nov 8 – 6-10pm
Thursday, Nov 9 – 6-10pm

• Performances will be on:
Friday, Nov 10, 8pm
Saturday, Nov 11, 2 and 8pm
Sunday, Nov 12, 2pm

• After Nov 12th, your scheduled work for this class will be complete. There are no additional class meetings (though there will be one reflection paper due).

6) Got any questions? Email Professor Alex Torra, atorra1@swarthmore.edu

ROLES AVAILABLE
(Cast actors will play additional small roles not listed below)

STUDENT COMPETITORS

Olive Ostrovsky: Mezzo-Soprano. A young newcomer to competitive spelling. Her mother is in an ashram in India, and her father is working late, as usual, but he is trying to come sometime during the bee. She made friends with her dictionary at a very young age, helping her to make it to the competition.

William Morris Barfée: Tenor. A Putnam County Spelling Bee finalist last year, he was eliminated because of an allergic reaction to peanuts. His famous “Magic Foot” method of spelling has boosted him to spelling glory, even though he only has one working nostril and a touchy personality. He has an often-mispronounced last name: it is Bar-FAY, not BARF-ee (“there’s an accent aigu, he explains with some hostility). He develops a crush on Olive.

Logainne “Schwarzy” SchwartzandGrubenierre: Mezzo-Soprano. Logainne is the youngest and most politically aware speller, often making comments about current political figures, with two overbearing gay fathers pushing her to win at any cost. She is somewhat of a neat freak, speaks with a lisp, and knows she’ll return to the bee next year.

Marcy Park: Mezzo-Soprano. A recent transfer from Virginia, Marcy placed ninth in last year’s nationals. She speaks six languages, is a member of all-American hockey, a championship rugby player, plays Chopin and Mozart on multiple instruments, sleeps only three hours a night, and is getting very tired of always winning. She is a total over-achiever, and attends a Catholic school called “Our Lady of Intermittent Sorrows.” She is also not allowed to cry.

Leaf Coneybear: Tenor. A homeschooler and the second runner-up in his district. Leaf comes from a large family of former hippies and makes his own clothes. He spells words correctly while in a trance. In his song, “I’m Not That Smart”, he sings that his family thinks he is “not that smart,” but he insinuates that he is merely easily distracted.

Charlito “Chip” Tolentino: Tenor. A Boy Scout and champion of the Twenty-Fourth Annual Putnam County Spelling Bee, he returns to defend his title. Relatively social and athletic, as he plays little league, Chip expects things to come easily but he finds puberty hitting at an inopportune moment.

ADULTS

Rona Lisa Peretti: Mezzo-Soprano. The number-one realtor in Putnam County, a former Putnam County Spelling Bee Champion herself, and returning moderator. She is a sweet woman who loves children, but she can be very stern when it comes to dealing with Vice Principal Panch, who has feelings for her that she most likely does not return. Ms. Peretti herself won the Third Annual Putnam County Spelling Bee by spelling the word “syzygy”.

Vice Principal Douglas Panch: Non-singing Role. After five years’ absence from the Bee, Panch returns as judge. There was an “incident” at the Twentieth Annual Bee, but he claims to be in “a better place” now (or so we think), thanks to a high-fiber diet and Jungian analysis. He is infatuated with Rona Lisa Peretti, but she does not return his affections.

Mitch Mahoney: Tenor. The Official Comfort Counselor. An ex-convict, Mitch is performing his community service with the Bee, and hands out juice boxes to losing students

Oliver Lipton ‘18: WHAT WE FEAR (OR, THE POLITICS OF MONSTROSITY)

The Department of Theater presents an Independent Study in Sound Design (THEA 014E) by Oliver Lipton ‘18: WHAT WE FEAR (OR, THE POLITICS OF MONSTROSITY), a radio drama.

WHAT WE FEAR (OR, THE POLITICS OF MONSTROSITY) is a modernization, satire, and spin-off of the gothic horror genre. It tells the story of a world where humans live in fear of vampires, werewolves, and a new and even greater threat that has begun to emerge. Juxtaposing dialogue, soundscapes, and original music, the radio drama follows the story of the last living vampire and the hunter tracking him down, who begins to learn there’s more to the monsters outside the walls than she ever realized.

WHAT WE FEAR is an art performance/radio/drama created by Oliver Lipton ‘18 and features Amber Sheth ‘18, David Zuckerman ‘18, Rachel Davis ‘19, and Emma Mogavero ‘20.

Release date: May 5th, 2017 

Available here for listening –

Radioplay:
https://soundcloud.com/user-637357189/what-we-fear-or-the-politics-of-monstrosity

Original Soundtrack:
https://soundcloud.com/user-637357189/sets/what-we-fear-official-soundtrack

Directing II Night of Scenes (5/1 and 5/2 at 8PM)

NOS2The Department of Theater’s Directing II Workshop is proud to present SPRING 2017 NIGHT OF SCENES with brand new devised work directed by

Simon Bloch ’17,
Wesley Han ’18,
Oliver Lipton ’18 and
John Wojciehowski ’19
May 1st at 8PM 
and
May 2nd at 8 PM

LPAC Frear Ensemble Theater

https://www.facebook.com/events/1932526966990123/

Ali Momeni ’97: Animating Resistance

April 19, 2017 @ 5PM: Artist’s Lecture (SCI 101)
Building on Momeni’s Manual for Urban Projection, the lecture will elaborate Momeni’s methodologies including a projection system that enables rapid animation based on still images and drawings as well as a gestural interface for virtual puppeteering of projected animations in real-time.

April 21, 2017 @ 8PM: Outdoor Performance (Lawn at Pearson Hall. Rain location will be LPAC Lobby.)
Momeni and the workshop participants will collaboratively create and perform a live cinema/projection performance that consists of animations depicting and annotating the contents of this database in playful and performative ways. These animations will depict the characters, setting and methods of specific actions from the Global Nonviolent Action Database like an animated graphic novel.

The live cinema performance will consist of several “drawing stations” where performers can draw on transparency with markers on a back-lit surface. A digital camera pointed at the surface then captures the images and brings it into custom video-projection software developed by the artists to create and layer video loops. As new drawings are captured and animated, a visual narrative around each action accumulates.

AliPoster

Acting Capstone presents REVOLT. SHE SAID. REVOLT AGAIN. (2/24 -2/26)

Revolt4WebRevolt. She Said. Revolt Again. by Alice Birch breaks our notions of language and theatrical expectation to explore the ways women in the 21st century are stereotyped by words, labels, and cultural representation. Wildly funny and deeply subversive, Revolt careens between surreality and self-awareness in attempt to understand the glories and difficulties of daily revolution in our complex, contemporary world. This fierce new work takes on gender politics, power dynamics, and societal expectations in an unforgettable forum of dialogues. Directed by Alex Torra with Sarah Branch ’17, Rex Chang ’17, Citlali Pizarro ’20, and Emily Uhlmann ’19. Costume design by Laila Swanson, Lighting Design by Amanda Jensen.

 

Friday, Feb. 24 at 8PM
Saturday, Feb. 25 at 2PM and 8PM
Sunday, Feb. 26 at 2PM
LPAC Frear Ensemble Theater

NIGHT OF SCENES from the Directing I Workshop (12/7 + 12/8)

Directing I Workshop (THEA 035) &nosforweb6
Lighting Design (THEA 004B)
present 
A NIGHT OF SCENES

Directed by
Wesley Han
Oliver Lipton

Yoshifumi Nomura
Emily Uhlmann
John Wojciehowski

with excerpts and one acts from
Annie Baker,
Maria Irene Fornes,
Tony Kushner,
Martin McDonagh,
and Sarah Ruhl

LPAC Frear Ensemble Theater
Wed 12/7 at 8PM
Thurs 12/ 8 at 8PM

Free!

Senior Company 2017 presents THE TOTALITARIANS (12/2-4)

A comic look at hypocrisy and a culture of politictotalitariansposterfinalforwebal infighting, and how we might be on the brink of revolution in Nebraska. Peter Sinn Nachtrieb’s play follows Penny, a former roller derby star and compulsively watchable candidate for state office, who enlists the help of silver tongued operative Francine to manage her political ambitions. Penny’s nefarious plans for the Cornhusker State are revealed via Francine’s doctor husband, Jeffrey, who it turns out, is lying to his dying patients.

The Totalitarians is a raucous dark comedy about the state of modern political discourse, modern relationships, and how easy it is to believe truths without facts.

LPAC Frear Ensemble Theater
Dec 2 @ 8PM
Dec 3 @ 2PM and 8PM
Dec 4 @ 2PM

For more updated info, find us on Facebook: https://www.facebook.com/events/180420805752981/

THE TOTALITARIANS is presented by special arrangement with Dramatists Play Service, Inc., New York.

Giant Eyeballs and Media Design

If you walked through the Science Center Quad between 7:00 and 9:00pm over Halloween weekend, you may have felt a conspicuous presence. And if you looked skyward, you probably noticed that you were being observed from the water tower – or more accurately by the water tower, which had been transformed into a giant, animated eyeball by members of the Theater Department, LPAC Production Office, and ITS.

That idea, later entitled “Who’s Watching” by Scott Burgess, came about during a conversation between us  at the 2016 Media Architecture Summit (MAS). At MAS, we learned about digital placemaking through large-scale light installations and video projection. The lectures presented by the artists discussed engagement in public spaces, spectacle, ephemeral architecture, and the cross disciplinary aspects of media art. While our eyeball was merely an animation, spliced together with some video of dancing skeletons, ghosts, and a jack-o-lantern, many of the speakers at MAS presented on interactive artworks – pieces that people could influence through their own behavior, or control directly via mobile devices.

Among the works presented was Yong Ju Lee’s “Filament Mind,” a permanent installation in Wyoming’s Teton County Library. It utilizes a data stream from the library’s catalogue system, and a series of over forty projectors attached to a column in the building’s atrium. Aimed upward, with bundles of transparent fiber optic cable attached to their lenses, the array projects brilliant hues of electric blue, yellow and purple. The fiber optic bundles contain this light, twisting around the column as they climb to the ceiling, and then arcing outward to the walls, where each individual cable terminates on a different set of three dimensional words. As library-goers search the catalogue, their queries are illuminated in real time, thus visualizing the thoughts of the library as a whole, and its individual visitors, through fiber optic neurons.

Another talk addressed the issues of mass surveillance and big data. David Rokeby discussed “Taken,” a touring installation created in 2002 which simultaneously shoots and projects live video of people as they walk through a gallery, periodically zooming in on an individual, snapping a freeze frame, and arbitrarily applying an adjective to that person’s image. Visitors might be labeled “complicit,” “unsuspecting” or “hungry,” as the work asks them to consider the question “how does it feel to be judged by a computer?” and the idea that “when an algorithm is attached to a sensor, that algorithm projects behavior back into the space.”

Our own “Who’s Watching” did not seek to provide insight into important issues of the day, nor prompt any profound questions (though I’m sure we’d all like to know just how long the creature with giant blue eye stalks has been living under our parking lot). We simply set out to have a bit of Halloween fun on one of the larger unornamented surfaces on campus. In the process we experimented with projections of climate visualization, images created through electron microscopy and the Hubble telescope, and some interesting deep sea animals. If you have ideas for the future, if you’d like to experience an interactive work, if you want to add media design to your terms of study, or if you want to learn how we created the eyeball, we invite you to get in touch. Send us an email at the addresses below, drop by LPAC, or stop in at the Language and Media Centers. We’d be happy to hear from you. And stay tuned for more pop-up digital events around campus.

Jeremy Polk <jpolk1@swarthmore.edu>
Tara Webb <twebb1@swarthmore.edu>
Scott Burgess <jburges1@swarthmore.edu>

Production Ensemble 2016 presents Shakespeare’s AS YOU LIKE IT

A newly imagined production of AS YOU LIKE IT, Shakespeare’s pastoral comedy of cross-dressing, sheep, and love. This story of exile into the imagined Forest of Arden features the discovery of new identities, the poetry of roughing it, and the pleasures of falling head over heels. This production’s most special aspect – the entire play will be performed in Original Pronunciation, the dialect in which Shakespeare’s plays were originally heard.

Directed by Alex Torra with set by Matt Saunders, costumes by Laila Swanson, and lighting by James Murphy.

LPAC Pearson Hall Theater
November 11 @ 8PM
November 12 @ 2PM and 8PM
November 13 @ 2PM

Seating is limited. No reservations avaialable for general public seating.

FringeArts 2016 features some recent Swat Alums!

There’s still time to get tickets for the FringeArts events happening this week!

Don’t forget to add this latest creation from Patrick Ross ’14: http://www.neighborhood-house.com/calendar/scarlet-letters performed by Michaela Shuchman ’15 and music by Kimaya Diggs ’15. And here’s a recent review of the show – http://dcmetrotheaterarts.com/2016/09/17/2016-philadelphia-fringe-festival-review-scarlet-letters/

Plus keep an eye out for other escapades from other faculty and alums!!