The Cambrians presents CLOVER sponsored by The Department of Music and Dance and the William J. Cooper Foundation at Swarthmore College.

The Cambrians is an intimate contemporary dance and storytelling venture created in collaboration by Benjamin Wardell, Michel Rodriquez Cintra and Melinda Jean Myers. The Cambrians [KAYM-bree-uns] is a global dance production network, based out of Chicago, that treats its dance performers as the primary drivers of choreographic quality and innovation.

PERFORMANCE—
Friday, March 17, 2017
8:00PM
LPAC Pearson-Hall Theater (Main Stage).

COMPANY MASTER CLASSES—
Wednesday, March 15, 2017
11:30AM and 4:30PM
LPAC Boyer Dance Studio
And,
Thursday, March 16, 2017
11:20AM
LPAC Boyer Dance Studio

Asian Arts Initiative March 25th 6:00pm to 7:00pm

“An evening of Kathak dance, video, and community engagement. We are a grassroots organization in Philadelphia but our roots travel far to a little-known location where dance thrives among the underprivileged. Please join us to support the community arts initiative at Subhasgram in the outskirts of Kolkata.”

Asian Arts Initiative March 25th 6:00pm to 7:00pm

“An evening of Kathak dance, video, and community engagement. We are a grassroots organization in Philadelphia but our roots travel far to a little-known location where dance thrives among the underprivileged. Please join us to support the community arts initiative at Subhasgram in the outskirts of Kolkata.”

Sydney Dance Company is the most renowned contemporary dance company in Australia. The company has performed across the globe in venues such as the Sydney Opera House, the Joyce Theater in New York, the Shanghai Grand Theatre, and the Stanislavsky in Moscow, and is the first Western contemporary dance company to perform in the People’s Republic of China. The company is known for its dancers’ high level of technical ability; its integrity and precision as an ensemble; the choreography of its director, Spanish-born Rafael Bonachela; and the international array of its visiting artists. Bonachela’s 2 One Another won Australian Dance Awards in 2013 for choreography and for performance by a company.
LPAC Pearson Hall Theatre
8PM
February 24, 2017
Free and Open to the public. No reservations or tickets needed. Seating is first come, first served.

In addition to the Friday evening performance on Thursday, Feb. 23, 2017, Sydney Dance Company will offer a Q and A discussion with the company from noon—1 p.m in the Boyer Dance Studio ande, a Master Class from 4:30-6 p.m. in the Troy Lab Studio both in the Lang Performing Arts Center. These are designed for interested intermediate and advanced dance students to learn choreography from the company’s repertory pieces.

Sydney Dance Company is the most renowned contemporary dance company in Australia. The company has performed across the globe in venues such as the Sydney Opera House, the Joyce Theater in New York, the Shanghai Grand Theatre, and the Stanislavsky in Moscow, and is the first Western contemporary dance company to perform in the People’s Republic of China. The company is known for its dancers’ high level of technical ability; its integrity and precision as an ensemble; the choreography of its director, Spanish-born Rafael Bonachela; and the international array of its visiting artists. Bonachela’s 2 One Another won Australian Dance Awards in 2013 for choreography and for performance by a company.
LPAC Pearson Hall Theatre
8PM
February 24, 2017
Free and Open to the public. No reservations or tickets needed. Seating is first come, first served.

In addition to the Friday evening performance on Thursday, Feb. 23, 2017, Sydney Dance Company will offer a Q and A discussion with the company from noon—1 p.m in the Boyer Dance Studio ande, a Master Class from 4:30-6 p.m. in the Troy Lab Studio both in the Lang Performing Arts Center. These are designed for interested intermediate and advanced dance students to learn choreography from the company’s repertory pieces.

The Kind of Thing That Would Happen, a new piece by Olivia Sabee, at Washington DC’s Dance Place 

The Kind of Thing That Would Happen asks the audience whether or not they believe what they are seeing and harks back to Aristotle’s precept of theater as making real not what has happened, but rather, the kind of thing that would happen. The performance—with choreography by Olivia Sabee, original sound designs by DeLesslin George-Warren, and new sets by Ben Levine—features choreography that ranges from happy-go-lucky dances to contemplative solo work set to a rhythmically driving score, as the enduring love of the main characters unfolds, interwoven with monologues from an inquisitive, insightful poetess.

The Kind of Thing That Would Happen, a new piece by Olivia Sabee, at Washington DC’s Dance Place 

The Kind of Thing That Would Happen asks the audience whether or not they believe what they are seeing and harks back to Aristotle’s precept of theater as making real not what has happened, but rather, the kind of thing that would happen. The performance—with choreography by Olivia Sabee, original sound designs by DeLesslin George-Warren, and new sets by Ben Levine—features choreography that ranges from happy-go-lucky dances to contemplative solo work set to a rhythmically driving score, as the enduring love of the main characters unfolds, interwoven with monologues from an inquisitive, insightful poetess.