Author Archives: twebb1
Ballet at Swarthmore
A spotlight on Rachel Fresques ’14 and dance at Swarthmore:
Ballet at Swarthmore
A spotlight on Rachel Fresques ’14 and dance at Swarthmore:
Three Musketeers recap – in case you missed it!
From the Phoenix:
http://www.swarthmorephoenix.com/2014/02/20/gender-bending-swashbuckling-comedy-a-must-see/
and from the Daily Gazette:
(pictures 7, 8, 9 by Martin Froger-Silva ’16).
Cooper presents Pig Iron’s TWELFTH NIGHT (3/1 – 3/2)
The Swarthmore College Department of Theater and the William J. Cooper Foundation will present Pig Iron Theatre Company’s Twelfth Night, or What You Will. Start with a shipwreck, take one part mistaken identity, add in a comedic love triangle and mix with excessive drinking, melodramatic breakdowns and a live, Balkan-inspired musical score, and you’ve got a raucous take on one of Shakespeare’s most wicked comedies. Alternately absurd and heartfelt, Twelfth Night, or What You Will is replete with practical jokes, gender confusion, and thwarted love. This event is free and open to the public without reservation, but seating will be limited.
Director Dan Rothenberg ‘95 says that, “After 15 years of making original performance experiments, the next hurdle was to see if [Pig Iron] could apply our physical ensemble approach to a classic script and let everything we care about live within a very set form. Experimental theater is about opening up new ways of seeing; could we sneak this into a Shakespeare play without deconstructing the thing? All our experiments with clown theater, with cabaret, and with dance theater inform the way people speak and move in this production, resulting in a rough, wholly American Twelfth Night.”
With their signature verve, Pig Iron turns Shakespeare’s text into a clear, funny, and vibrant performance in this award-winning and music-soaked crowd-pleaser. There are dueling musicians, depressive noblemen, idiots and veteran jesters, religious zealots, and erotic misunderstandings. With its highly physical performance style, Pig Iron brings a news spark to one of Shakespeare’s most celebrated plays.
Pig Iron’s production features company regulars James Sugg (OBIE Award winner for Chekhov Lizardbrain), Dito van Reigersberg ‘94, and Alex Torra, Birgit Huppuch (Pig Iron’s Isabella, OBIE Award winner for Telephone) as Olivia, and Kirsten Sieh (GATZ) as Viola. Barrymore Award-winning New Zealand composer Rosie Langabeer has provided a musical score performed live by members of the West Philadelphia Orchestra. Twelfth Night premiered at the 2011 Philadelphia LiveArts Festival, was recently revived for Philadelphia’s 2013 FringeArts Festival, and recently experienced outstanding success at the Abron Arts Center in New York.
These events are free and open to the public without reservation, but space is limited.
Where: LPAC Pearson-Hall Theatre
When: Saturday, March 1st at 7PM and Sunday, March 2nd at 2PM and 7PM
Additional events:
Join Director, Dan Rothenberg ’95, Professor Allen Kuharski, and members of the TWELFTH NIGHT cast for a post-show discussion on Sunday, March 2nd at 5:15pM in the LPAC CINEMA.
Join Alumni Sarah Sanford ’99, Dito van Reigersberg, and Asst. Professor Alex Torra for Workshops on Pig Iron’s performance technique: Tuesday through Thursday, March 4th – 6th, 7:30-10:30PM. Attendance all three nights not required, but space is limited. Contact Jean Tierno (jtierno1) or Allen Kuharski (akuhars1) for more information.
Post-show discussion and workshops with Pig Iron (3/2, 3/4-3/6)
In addition to TWELFTH NIGHT, Pig Iron will be joining us for some other events. Check it out!
Join Director, Dan Rothenberg ’95, Professor Allen Kuharski, and members of the TWELFTH NIGHT cast for a post-show discussion on Sunday, March 2nd at 5:15pM in the LPAC CINEMA.
Join Alumni Sarah Sanford ’99, Dito van Reigersberg ’94, and Asst. Professor Alex Torra for Workshops on Pig Iron’s performance technique: Tuesday through Thursday, March 4th – 6th, 7:30-10:30PM. Attendance at all three workshops not required, but space is limited. Contact Jean Tierno (jtierno1) or Allen Kuharski (akuhars1) for more information.
Highlights from the Phoenix
Swift’s Playwriting thesis gets kudos in the Phoenix:
We’re looking to hearing more about this play in the future!
Honors Acting Thesis: THE THREE MUSKETEERS (2/21 – 2/23)
When: Opens February 21st at 8PM.
Additional shows February 22nd at 2PM & 8PM and February 23rd at 8PM.
Where: LPAC Frear Ensemble Theatre
This spring’s Honors Acting Thesis promises to be a gender bending, swashbuckling physical comedy overflowing with misaligned adventure. Four Swarthmore students are taking the plunge on the story of the Three Musketeers and creating an entirely original piece from the ground up under the guidance of guest director and playwright Anisa George.
The Ensemble/Creators include Katie Goldman ’14, Madeline Charne ’14, Mark Levine-Weinberg ’14, and Anna Russell (HC) ’14. Stage Management by Annalise Lowery ’17. Costume Design is by Rebecca Kanach. Lighting Design is by Amanda Jensen. Sound Design is by Adriano Shaplin, and Fight Choreography is by Brett Cassidy.
Honors Playwriting Thesis reading: THE REAL WORLD WILL NEVER ARRIVE (2/2/14 @ 4PM)
Please join us for a staged reading of Sam Swift Shuker-Haines ’14 Honors Playwriting Thesis, THE REAL WORLD WILL NEVER ARRIVE.
Sunday 2/2/14
4PM
LPAC Frear Ensemble Theatre
Directed by Adriano Shaplin and featuring some performers from Applied Mechanics, this play deals with an epidemic of suicides at a high school. Come support this new work!
Susan Marshall & Company brings PLAY/PAUSE (2/14 @ 8PM)
Susan Marshall brings one of her new and exciting dance-theater pieces to Swarthmore this February.
Play/Pause
LPAC Pearson-Hall Theater (Mainstage)
8PM, Friday, February 14, 2014
Free and Open to the Public
About
In an electric guitar-fueled evening of postmodern dance-theater, Susan Marshall couples her intimate, structured choreography with the seductiveness of pop culture to explore our complex relationship to the media we consume. This evening-length piece for six dancers features a commissioned score by Pulitzer Prize-winning composer David Lang, performed live by members of electric guitar quartet Dither and Mantra Percussion. Play/Pause premiered in Chicago in September 2013.
Here’s a little preview: www.vimeo.com/sumac/stop
The company will offer a Master Class with the dancers on Thursday 2/13 in the Troy Dance Lab at 4:30PM.