Monthly Archives: January 2009

About Face: Marking the Unmarked, the Honors Thesis of seniors Stephen Graf (Solo Performance) and Jacqueline Vitale (Dramaturgy) Premieres Feb 13-15

SWARTHMORE COLLEGE’S DEPARTMENT OF THEATER PRESENTS ABOUT FACE: MARKING THE UNMARKED, AN ORIGINAL SOLO PERFORMANCE PIECE BY STEPHEN GRAF ’09

January 22, 2009-The Department of Theater at Swarthmore College presents Stephen Graf ’09’s Honors Solo Performance Thesis, About Face: Marking the Unmarked, on Friday and Saturday, Feb. 13 and 14, at 8pm, and Sunday, Feb. 15, at 2pm, in the Frear Ensemble Theater, Lang Performing Arts Center (LPAC). About Face explores the extremes and intricacies of race within the cultural landscape of the here and now through a white anti-racist lens. This original performance is the Honors Dramaturgy Thesis of Jacqueline Vitale ’09.

Using monologues, poetry, movement, song, and performance art, About Face questions both the invisibility and power of whiteness in a contemporary U.S. context. About Face combines and layers socio-cultural observations and personal narratives in search of a way for white people to confront the persisting problems of unawareness, privilege, and hatred that accompany whiteness. The piece asks not only how do the many facets of whiteness affect current race relations but also from where do white people build their base in the effort to fight racism.

Stephen Graf ’09 is an honors Theater major with an honors minor in Interpretation Theory and a course minor in Linguistics. He has acted in the Department of Theater’s productions of Harold Pinter’s Old Times, Dea Loher’s Innocence, Frank Wedekind’s Spring Awakening, and in the Drama Board’s production of Michael John LaChiusa and George C. Wolfe’s The Wild Party. He was the dramaturg for the Department of Theater’s production of Caryl Churchill’s Vinegar Tom. He has created various solo and group performance projects prior to this production, on topics such as humor and sexuality.

The production is written, conceived, and performed by Stephen Graf ’09. Maria Moller is the director. Jackie Vitale ’09 serves as dramaturg. Maria Shaplin is the lighting designer, with Cara Arcuni ’09 serving as assistant lighting designer. Daniel Perelstein ’09 is the sound designer. The faculty advisor for the production is Erin Mee.

The performances are free and open to the public without advance reservations. Each performance will be followed by a reception in LPAC lower lobby with the cast and crew of the production. For further information, contact Liza Clark at lclark1@swarthmore.edu or call 610-328-8260.

Prof. Pallabi Chakravorty to give lecture at Princeton Institute for International and Regional Studies

Swarthmore College dance professor Dr. Pallabi Chakravorty has been invited by the Princeton Institute for International and Regional Studies at Princeton University to present a lecture entitled, “Culture Turns: Kathak, Nation, and Gender in Contemporary India.” The lecture will be on Monday, February 23, 2009 at 4:30 pm in Rm 216 Aaron Burr Hall, and is sponsored by the Program in South Asian Studies. For more information click here.

Prof. Pallabi Chakravorty to give lecture at Princeton Institute for International and Regional Studies

Swarthmore College dance professor Dr. Pallabi Chakravorty has been invited by the Princeton Institute for International and Regional Studies at Princeton University to present a lecture entitled, “Culture Turns: Kathak, Nation, and Gender in Contemporary India.” The lecture will be on Monday, February 23, 2009 at 4:30 pm in Rm 216 Aaron Burr Hall, and is sponsored by the Program in South Asian Studies. For more information click here.

The Carolyn Dorfman Dance Company in the Legacy Project on Fri, Jan 30

The Carolyn Dorfman Dance CompanyThe William J. Cooper Foundation presents the Carolyn Dorfman Dance Company in The Legacy Project on Friday, January 30, 2009 at 8 pm in the Pearson-Hall Theater, Lang Performing Arts Center, Swarthmore College. “With inventive choreography, original music compositions, and evocative metaphors, the Carolyn Dorfman Dance Company, offers [the] audience the dance equivalent of a cherished book of family photographs” (The New York Times). Based in Union, New Jersey, Carolyn Dorfman and the CDDC have spent the past 26 years redefining the scope of dance as a method of storytelling and community building. In particular, CDDC’s Legacy Project inspires and rouses its audience as it explores themes of family, struggle, and survival in light of the Jewish diaspora.

Described by critics as “ingenious” (The Star-Ledger) and ??emotionally resonant?? (The New York Times), the dances in the Legacy Project bring together Dorfman’s family stories, Jewish history, and a universal struggle for identity. Through this combination, Dorfman inspires in her audience feelings of familiarity and unity, creating dances that serve as metaphors for the greater truths of the human experience. “In her works, visual images become still photographs that capture and freeze certain universal truths…both reflect[ing] and engender[ing] a profound humanity. Because her dances are about people and life experience, often moving from the autobiographical to the universal, they hold immediate appeal” (The New York Times).

The Company’s Legacy Project spans the arrival of Jews in America from Brazil in 1654 (“Odisea”) through to the Holocaust (“Cat’s Cradle,” “The Klezmer Sketch”) and finally to American assimilation and contemporary struggles (“The American Dream”). Additionally, “Echad” explores personal and group dynamics within the context of religion, setting up a metaphor of struggle and togetherness that can be extended to all relations in the global community. “For many of the dances, the stories are about Dorfman’s family…Holocaust survivors and immigrants, but the magic is that this is also a work about all of us” (Asbury Park Press).

Known as a creator of provocative dances that reflect her concerns about the human condition, Dorfman is interested in creating “worlds” into which the audience can enter. Since founding her Company in 1982, she has created more than 50 works for CDDC and achieved a highly respected position among artists and arts institutions regionally, nationally and internationally. A Michigan native, she received her BFA in Dance from the University of Michigan and her MFA from New York University Tisch School for the Arts. She has been designated a Distinguished Artist and granted five Choreography Fellowships, including a 2004 Fellowship, by the New Jersey State Council on the Arts (NJSCA), in addition to other choreography honors. Dorfman was the first artist to receive the prestigious, and nationally selected, Prudential Prize for Non-Profit Leadership in 1994. In 2004 she received the Jewish Women in the Arts Award for Dance from the Jewish Community Center of Metropolitan Detroit and the Janice Charach Epstein Gallery.

The Carolyn Dorfman Dance Company in the Legacy Project on Fri, Jan 30

The Carolyn Dorfman Dance CompanyThe William J. Cooper Foundation presents the Carolyn Dorfman Dance Company in The Legacy Project on Friday, January 30, 2009 at 8 pm in the Pearson-Hall Theater, Lang Performing Arts Center, Swarthmore College. “With inventive choreography, original music compositions, and evocative metaphors, the Carolyn Dorfman Dance Company, offers [the] audience the dance equivalent of a cherished book of family photographs” (The New York Times). Based in Union, New Jersey, Carolyn Dorfman and the CDDC have spent the past 26 years redefining the scope of dance as a method of storytelling and community building. In particular, CDDC’s Legacy Project inspires and rouses its audience as it explores themes of family, struggle, and survival in light of the Jewish diaspora.

Described by critics as “ingenious” (The Star-Ledger) and ??emotionally resonant?? (The New York Times), the dances in the Legacy Project bring together Dorfman’s family stories, Jewish history, and a universal struggle for identity. Through this combination, Dorfman inspires in her audience feelings of familiarity and unity, creating dances that serve as metaphors for the greater truths of the human experience. “In her works, visual images become still photographs that capture and freeze certain universal truths…both reflect[ing] and engender[ing] a profound humanity. Because her dances are about people and life experience, often moving from the autobiographical to the universal, they hold immediate appeal” (The New York Times).

The Company’s Legacy Project spans the arrival of Jews in America from Brazil in 1654 (“Odisea”) through to the Holocaust (“Cat’s Cradle,” “The Klezmer Sketch”) and finally to American assimilation and contemporary struggles (“The American Dream”). Additionally, “Echad” explores personal and group dynamics within the context of religion, setting up a metaphor of struggle and togetherness that can be extended to all relations in the global community. “For many of the dances, the stories are about Dorfman’s family…Holocaust survivors and immigrants, but the magic is that this is also a work about all of us” (Asbury Park Press).

Known as a creator of provocative dances that reflect her concerns about the human condition, Dorfman is interested in creating “worlds” into which the audience can enter. Since founding her Company in 1982, she has created more than 50 works for CDDC and achieved a highly respected position among artists and arts institutions regionally, nationally and internationally. A Michigan native, she received her BFA in Dance from the University of Michigan and her MFA from New York University Tisch School for the Arts. She has been designated a Distinguished Artist and granted five Choreography Fellowships, including a 2004 Fellowship, by the New Jersey State Council on the Arts (NJSCA), in addition to other choreography honors. Dorfman was the first artist to receive the prestigious, and nationally selected, Prudential Prize for Non-Profit Leadership in 1994. In 2004 she received the Jewish Women in the Arts Award for Dance from the Jewish Community Center of Metropolitan Detroit and the Janice Charach Epstein Gallery.

Carolyn Dorfman presents Lecture and Masterclass on Thurs, Jan. 29

The Carolyn Dorfman Dance CompanyThe William J. Cooper Foundation and the Department of Music and Dance invite you to attend a lecture by Carolyn Dorfman, Artistic Director of The Carolyn Dorfman Dance Company on Thursday, January 29, 2009 from 1:15 pm-2:30 pm in the Science Center lecture hall, Rm 001. This lecture will address the role of storytelling for children of Holocaust survivors. It is free and open to the public.

Carolyn Dorfman and company will also be offering an open class on Thursday, January 29 at 4:30 pm in Troy Dance Lab, Lang Performing Arts Center. All interested dancers are encouraged to attend. To reserve your place, contact Liza Clark at lclark1@swarthmore.edu, or call (610) 328-8260.

Known as a creator of provocative dances that reflect her concerns about the human condition, Dorfman is interested in creating “worlds” into which the audience can enter. Since founding her Company in 1982, she has created more than 50 works for CDDC and achieved a highly respected position among artists and arts institutions regionally, nationally and internationally. A Michigan native, she received her BFA in Dance from the University of Michigan and her MFA from New York University Tisch School for the Arts. She has been designated a Distinguished Artist and granted five Choreography Fellowships, including a 2004 Fellowship, by the New Jersey State Council on the Arts (NJSCA), in additional to other choreography honors. Dorfman was the first artist to receive the prestigious, and nationally selected, Prudential Prize for Non-Profit Leadership in 1994. In 2004 she received the Jewish Women in the Arts Award for Dance from the Jewish Community Center of Metropolitan Detroit and the Janice Charach Epstein Gallery.

Carolyn Dorfman presents Lecture and Masterclass on Thurs, Jan. 29

The Carolyn Dorfman Dance CompanyThe William J. Cooper Foundation and the Department of Music and Dance invite you to attend a lecture by Carolyn Dorfman, Artistic Director of The Carolyn Dorfman Dance Company on Thursday, January 29, 2009 from 1:15 pm-2:30 pm in the Science Center lecture hall, Rm 001. This lecture will address the role of storytelling for children of Holocaust survivors. It is free and open to the public.

Carolyn Dorfman and company will also be offering an open class on Thursday, January 29 at 4:30 pm in Troy Dance Lab, Lang Performing Arts Center. All interested dancers are encouraged to attend. To reserve your place, contact Liza Clark at lclark1@swarthmore.edu, or call (610) 328-8260.

Known as a creator of provocative dances that reflect her concerns about the human condition, Dorfman is interested in creating “worlds” into which the audience can enter. Since founding her Company in 1982, she has created more than 50 works for CDDC and achieved a highly respected position among artists and arts institutions regionally, nationally and internationally. A Michigan native, she received her BFA in Dance from the University of Michigan and her MFA from New York University Tisch School for the Arts. She has been designated a Distinguished Artist and granted five Choreography Fellowships, including a 2004 Fellowship, by the New Jersey State Council on the Arts (NJSCA), in additional to other choreography honors. Dorfman was the first artist to receive the prestigious, and nationally selected, Prudential Prize for Non-Profit Leadership in 1994. In 2004 she received the Jewish Women in the Arts Award for Dance from the Jewish Community Center of Metropolitan Detroit and the Janice Charach Epstein Gallery.