Kim Arrow`s dance videographies will screen in Bangalore, India and Sao Carlos, Brazil in November, `08 and February, `09

Kim Arrow’s videography, Quasimodo in the Outback , will be screened on February 10th and 11th for the International Dance Film Festival, Attakkari India Biennial 2009 in Bangalore, India. Invited as a ‘delegate to Bangalore,’ he will participate in the week-long event.

Shot mostly in Australia, Quasimodo in the Outback is an allegorical journey–inspired by Australian Aboriginal imagery–whose ascent from within the earth, to the world, and return, seeks to find a relational space between subject, object, and place. Employing various modes of camera and production techniques, Quasimodo blurs the lines of subject embodiment in order to operate in a trans-cultural environment as a metaphor for sanctuary, warning, marginalization, and hope.

Arrow’s short ROOPER which premiered for Philadelphia’s international dance film festival Motion Pictures Festival-Shorts Blast Program last June, will screen November 22, 2008 for II São Carlos Videodance Festival, an international dance film festival in San Carlos, Brazil. ROOPER was shot in Australia in 2007 using power stilts and a mob of kangaroo.

Post Election Reflection

Lang Professor Lecture

George Lakey

Lang Center for Civic and Social Responsibility

Peace and Conflict Studies Program

Swarthmore College

“Post Election Reflection”

November 17, 2008

4:15-5:45 p.m.

Scheuer Room

Kohlberg Hall

Swarthmore College

Now that we know who the next U.S. President will be, what are some options for people who want major change in national policies both domestic and foreign, in the direction of justice, peace, and environmental sustainability?

George Lakey will present a multi-dimensional strategic framework for radical change.? Based on research but guided by vision, the framework offers meaningful actions for the next four years for people with diverse gifts and backgrounds seeking unity of collective strength.

Lakey is in his third and final year as Eugene M. Lang Visiting Professor for Issues in Social Change.? In a fifty-year span he has authored seven books, facilitated1500 workshops on five continents, and led social change projects on local, national, and international levels.? A Quaker, he was first arrested for a civil rights sit-in in Chester, PA.

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George Lakey

George Lakey began his career as a trainer at the Martin Luther King School for Social Change, and has since gone on to lead over 1000 workshops on five continents. He has run trainings for coal miners, therapists, homeless people, prisoners, Russian lesbians and gays, Sri Lankan monks, Burmese guerrilla soldiers, striking steel workers, South African activists, and others. Trained as a sociologist, he has taught at the college and graduate level and is the author of six books. He consults regularly with a wide range of nonprofit groups.

George has given leadership to a number of social change movements. In late 1989 he led a team of Westerners in Sri Lanka who for 24 hours a day accompanied human-rights activists at risk of assassination. He has done neighborhood organizing, once successfully preventing tree-cutting and another time creating a neighborhood festival to celebrate ethnic diversity. He co-founded the Movement for a New Society, which for nearly 20 years specialized in organizational innovation. He founded and directed the Philadelphia Jobs with Peace Campaign, a coalition of labor, civil rights, poverty and peace groups. He was a designer of and staffed the Campaign to Stop the B-1 Bomber and Promote Peace Conversion, which mobilized sufficiently to gain cancellation of the B-1 in 1977 and raise the visibility of the concept of economic conversion. He was director of A Quaker Action Group when it assisted Puerto Rican nationalists in stopping the U.S. Navy from using the inhabited island of Culebra for target practice. He was also a founder of Men Against Patriarchy, which organized pioneering projects for the early men’s anti-sexism movement of the mid-’70s.

George has taught peace studies at Swarthmore and Haverford Colleges, Temple University and the University of Pennsylvania. At Penn he brought the program from 11 students in one class to 105 in three sections; the administration lauded the program for the way it reached out to students of color. He also created a group dynamics lab at Penn for training men in new leadership styles under a federal grant for feminist education.

George’s sixth book is on organizational development: “Grassroots and Nonprofit Leadership: A Guide for Organizations in Changing Times” (1996). He is author or co-author of five previous books: “A Manual for Direct Action” (often called the “Bible” of direct action by Southern civil-rights activists of the ’60s); “In Place of War, Moving toward a New Society”; “No Turning Back: Lesbian and Gay Liberation for the ’80s”; and “Powerful Peacemaking: A Strategy for a Living Revolution.” His publications have been translated into Swedish, German, Danish, French, Japanese and Thai.

On the personal side, George is a Quaker, father, grandfather, and great-grandfather in an interracial family. He received the national Giraffe Award (1992) for “sticking his neck out for the common good,” and the Ashley Montague Peace Award (1998) from the International Conference on Conflict Resolution.

bio from http://trainingforchange.org/content/view/29/45/index.html

Seeking Justice and Digging Up Bones: The Plight of Mayan Survivors in Guatemala

Seeking Justice and Digging Up Bones: The Plight of Mayan Survivors in Guatemala

A Talk by Manuel Calel Morales

Monday, November 17, 2008

7:00 p.m.

Kohlberg 115

In Guatemala, anthropologists and villagers are uncovering the past. They unearth secret graves containing remains of victims of the mass murders carried out by Guatemala???? military and death squads (backed by the U.S. military). Manuel Calel Morales is a villager from El Quich?Î?. After serving against his will in the Guatemalan Army, Calel Morales became a human rights activist, a mass grave finder, and a community leader. He directs the K????malb???? Rech Tinamit Ixium Ulew, a group seeking justice for the survivors of the massacres.

The Guatemalan Human Rights Commission, based in Washington, DC, invited Calel Morales to conduct a speaking tour to inform the public about the plight of so many. Calel Morales has also spoken before the U.S. Congress and the United Nations.

Sponsored by: Forum for Free Speech, Latin American Studies, the Lang Center for Civic and Social Responsibility, Peace and Conflict Studies, and the Provost’s Office.

Challenges Faced by Peace Corps Volunteers and Other Americans Working in Today’s China

A Lecture by Dr. William M. Speidel, the first executive director of the Hopkins-Nanjing Program for Chinese and American Studies; the first US Peace Corps Country Director in China based on Chengdu, Sichuan.

November 13, 2008 4:15-6:00

Swarthmore College – Kohlberg

Room: Kohlberg 115

Contact Information:

Name: Haili Kong

Phone: 610-328-8457

Email: hkong1@swarthmore.edu

Event Sponsors:

Modern Languages and Literatures Department

Teaching Rebellion

Presentation by Silvia Hernandez

Popular Assembly of the People of Oaxaca, Mexico

Wednesday, November 12, 2008

4:30 p.m. in Kohlberg 115

TEACHING REBELLION

A compilation of testimonies from longtime organizers, teachers, students, housewives, religious leaders, union members, school children, community activists, artists, journalists, and others who participated in the Popular Assembly of the People of Oaxaca.

“In 2006, Oaxaca, Mexico came alive with a broad and diverse movement that captivated the nation and inspired communities organizing for social justice around the world. Fueled by long ignored social contradictions, what began as a teachers’ strike quickly turned into a massive movement that demanded direct, participatory democracy. Hundreds of thousands of Oaxacans raised their voices against the abuses of the state and participated in marches, occupied government buildings, took over radio stations, and held sit-ins, while hundreds were arbitrarily detained, tortured, murdered by government forces or death squads, or forced into hiding.”

Silvia Hernandez, a sociology student active in the barricades and in the defense of Radio Universidad when it was under attack by state police, continues to actively organize for autonomous space and alternative to the state’s neo-liberal development plans. Silvia was arrested in July 2007 and spent nearly a month as a political prisoner. She belongs to VOCAL – Voces Oaxaquenas Construyendo Autonomia y Libertad (Oaxacan Voices Constructing Autonomy and Liberty) and gives workshops in recycled art and urban agriculture.

Sponsored by:

Forum for Free Speech, Latin American Studies, Peace and Conflict Studies, The Intercultural Center, The President??s Office, and The Lang Center for Civic and Social Responsibility

Shen Wei Dance Arts on Campus!

Shen Wei Dance ArtsPlease join us as the Swarthmore College Department of Music and Dance and the William J. Cooper Foundation presents Shen Wei Dance Arts on Friday, October 24 at 8 pm in Pearson-Hall Theater, Lang Performing Arts Center.

Hailed by The New York Times as “startlingly imaginative,” Shen Wei Dance Arts invests in interdisciplinary, cross-cultural performance for forwardlooking audiences. Each work by Artistic Director Shen Wei develops an original dance vocabulary incorporating visual and storytelling elements from the theater, Chinese opera, Eastern philosophy, traditional and contemporary visual art, and sculpture. The result, which is at turns figurative and abstract, combines performance with strong scenic elements to create a “fascinating fantasy in movement” (Herald Sun). At Swarthmore, Shen Wei Dance Arts will perform two acclaimed works from their repertory: “Rite of Spring” and “RE- (Part One).”

This event is free and open to the public without advance reservations. For more info contact lclark1@swarthmore.edu or call 610-328-8260.

Shen Wei and dancers will also conduct a masterclass on Thursday, October 23, from 4:30 pm-6 pm in Troy Dance Lab, Lang Performing Arts Center. This event is open to the public with space priority given to students and Swarthmore faculty and staff. Please arrive early to reserve your space.

Shen Wei Dance Arts on Campus!

Shen Wei Dance ArtsPlease join us as the Swarthmore College Department of Music and Dance and the William J. Cooper Foundation presents Shen Wei Dance Arts on Friday, October 24 at 8 pm in Pearson-Hall Theater, Lang Performing Arts Center.

Hailed by The New York Times as “startlingly imaginative,” Shen Wei Dance Arts invests in interdisciplinary, cross-cultural performance for forwardlooking audiences. Each work by Artistic Director Shen Wei develops an original dance vocabulary incorporating visual and storytelling elements from the theater, Chinese opera, Eastern philosophy, traditional and contemporary visual art, and sculpture. The result, which is at turns figurative and abstract, combines performance with strong scenic elements to create a “fascinating fantasy in movement” (Herald Sun). At Swarthmore, Shen Wei Dance Arts will perform two acclaimed works from their repertory: “Rite of Spring” and “RE- (Part One).”

This event is free and open to the public without advance reservations. For more info contact lclark1@swarthmore.edu or call 610-328-8260.

Shen Wei and dancers will also conduct a masterclass on Thursday, October 23, from 4:30 pm-6 pm in Troy Dance Lab, Lang Performing Arts Center. This event is open to the public with space priority given to students and Swarthmore faculty and staff. Please arrive early to reserve your space.

POP OUT, the Playwriting Debut of senior Jessie Bear, Premieres Nov 14-16

OCTOBER 17, 2008 – The Swarthmore College Department of Theater presents Pop Out, the Honors Playwriting Thesis of Jessie Bear ’09. This new play explores the deceptively simple task of living by your own rules in a world where everyone else knows better. Performances will be Friday and Saturday, November 14-15 at 8 pm, and Sunday, November 16 at 3 pm in the Frear Ensemble Theater, Lang Performing Arts Center. Lisa Jo Epstein Ph.D, Artistic Director of Gas & Electric Arts theater company, directs the production. The design team is James Murphy (lights), Simon Harding ’99 (set), Dan Perelstein ’09 (sound), and Laila Swanson (costumes). Joshua Lipman ’09 is stage-managing. Erin Mee is the faculty advisor for the production.

In varied ways, the characters of Pop Out approach the question, “How can you take ownership over a life that’s not your own?” Jenny is a highly successful OBGYN who’s got it all but is haunted – literally – by doubt. Dolly is a college student who has it all, too, until a medical diagnosis changes everything. Eleanor examines life up close, but doesn’t really touch it. Elisa is happy but miserable. Jackie just wants confirmation that she’s following the right instructions. These very different women will learn that it’s impossible to get comfortable when everything – your family, your friends, your job, your body – is apt to betray or surprise you. In a world where everyone’s got an opinion and the signals are mixed, it’s hard not to wonder: who’s writing your script?

The clean lines and revolving walls of Simon Harding’s set, complemented and sculpted by James Murphy’s lighting and Laila Swanson’s costumes, will capture and reveal the characters’ internal struggles in a seemingly organized world. The cast features Sasha Shahidi ’09, Judy Browngoehl ’09, Isa St. Clair ’11, Jane Abell ’11, Sara Lipshutz ’11 and Ben Hattem ’12, each playing multiple roles.

Jessie Bear ’09 is an Honors Theater Major with emphases in playwriting and acting and an Honors French Minor. She has studied playwriting extensively at Swarthmore with Adriano Shaplin of The Riot Group and Lizzie Olesker. Pop Out represents her debut as a produced playwright, although Jessie has acted in many Swarthmore productions, including Mamet’s Oleanna, Wedekind’s Spring Awakening, Stoppard’s Rosencrantz and Guildenstern Are Dead, excerpts from Son’s Stop/Kiss and many student-written plays. This year she will also be acting in Churchill’s Vinegar Tom and Shakespeare’s The Tempest.

The performances are free and open to the public without reservations. For more information please contact Liza Clark at lclark1@swarthmore.edu or (610) 328-8260.

RAISE Hope for Congo

RAISE Hope for Congo

Protect & Empower Congo’s Women

In September 2008, ENOUGH will launch the RAISE Hope for Congo campaign. With the ultimate goal of protecting and empowering Congolese women and girls, the campaign will work to: raise awareness about the conflict and the resulting widespread sexual violence against women and girls; cultivate and educate activists about the root causes of and solutions to the conflict; increase news coverage of the conflict in DR Congo, and; influence and change policy on DR Congo through promotion of the 3 Ps ? Peace, Protection, and Punishment ? plus Prevention.

The event will be October 28th at 4:30 in Sci Center 101.

http://www.enoughproject.org/congospeakerstour

Co-sponsored with Peace and Conflict Studies.

After Liberation Theology: Latin American Christianity and the Future

After Liberation Theology: Latin American Christianity and the Future

Ivan Petrella, University of Miami

One of the freshest voices in liberationist thought, Petrella is the author of The Future of Liberation Theology, and Beyond Liberation Theology. Utilizing legal theory, economics, and medical anthropology, Petrella has reinvigorated debates about culture, politics and religion.

In this talk, Petrella will map out liberation theology’s rise and fall after the end of the Cold War, and consider the prospects for a renewed role for radical Christianity in Latin America.

This Thursday, October 23rd, 4:30 Kohlberg Hall, Room 226.

Co-sponsored with Peace and Conflict Studies.