{"id":7258,"date":"2018-04-04T13:30:09","date_gmt":"2018-04-04T17:30:09","guid":{"rendered":"https:\/\/blogs.swarthmore.edu\/academics\/theater\/?p=7258"},"modified":"2024-04-22T14:39:32","modified_gmt":"2024-04-22T18:39:32","slug":"the-end-a-queer-reckoning-acting-capstone-427-428","status":"publish","type":"post","link":"https:\/\/blogs.swarthmore.edu\/academics\/theater\/2018\/04\/04\/the-end-a-queer-reckoning-acting-capstone-427-428\/","title":{"rendered":"THE END, A Queer Reckoning (Acting Capstone 4\/27 + 4\/28)"},"content":{"rendered":"<p><strong><a href=\"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-content\/uploads\/sites\/6\/2018\/04\/the-end-poster.jpg\" rel=\"attachment wp-att-7265\"><br \/>\n<\/a><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-7265 aligncenter\" src=\"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-content\/uploads\/sites\/6\/2018\/04\/the-end-poster-194x300.jpg\" alt=\"the end poster\" width=\"308\" height=\"476\" srcset=\"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-content\/uploads\/sites\/6\/2018\/04\/the-end-poster-194x300.jpg 194w, https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-content\/uploads\/sites\/6\/2018\/04\/the-end-poster.jpg 414w\" sizes=\"(max-width: 308px) 100vw, 308px\" \/><\/strong><strong>THE APOCALYPSE IS NIGH. \u00a0<\/strong><\/p>\n<p>And by &#8220;the apocalypse,&#8221; we\u2019re actually referring to the metaphorical end of the world as we know it: graduation.\u00a0 Join the complex and multi-dmensional non-binary Korean-American with remarkable charm and theatrical ability, Wesley Han, (and a straight white guy) on a queer cabaret extravaganza as they wallow in their existential dread and ponder what it means to be spat out by a cheerfully hypocritical institution \u2013 like Swat \u2013 into a world that is cold, brutal, harsh, unforgiving, merciless, hostile, uncaring, volatile, inhospitable, untamable, and wow \u2013 really just couldn\u2019t give less of a sh*t about you.\u00a0 Expect food and drink, fabulous outfits, and the most f*cking eclectic mixtape of songs you\u2019ve ever heard.<\/p>\n<p><strong>Friday, April 27th and Saturday, April 28th at 8PM and 10:30PM<\/strong><br \/>\n<strong>PACES Cafe in Tarble in Clothier<\/strong><\/p>\n<p><em><strong>The End: A Queer Reckoning<\/strong><\/em><\/p>\n<p>a cabaret by Wesley Han and Oliver Lipton<br \/>\nDirected by John Jarboe<br \/>\nMusic directed by Pax Ressler<\/p>\n<p>\u200bLights by Yoshi Nomifura &#8217;18<br \/>\nCostumes by Max Brown<br \/>\nSet by Michael Lambui<br \/>\npresented by the Department of Theater<\/p>\n<p>Seating is limited. First come, first served. More info: <a href=\"mailto:lpacevents@swarthmore.edu\">lpacevents@swarthmore.edu<\/a> or 610-328 8260<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE APOCALYPSE IS NIGH. \u00a0 And by &#8220;the apocalypse,&#8221; we\u2019re actually referring to the metaphorical end of the world as we know it: graduation.\u00a0 Join the complex and multi-dmensional non-binary Korean-American with remarkable charm and theatrical ability, Wesley Han, (and a straight white guy) on a queer cabaret extravaganza as they wallow in their existential [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-json\/wp\/v2\/posts\/7258"}],"collection":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-json\/wp\/v2\/comments?post=7258"}],"version-history":[{"count":3,"href":"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-json\/wp\/v2\/posts\/7258\/revisions"}],"predecessor-version":[{"id":7267,"href":"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-json\/wp\/v2\/posts\/7258\/revisions\/7267"}],"wp:attachment":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-json\/wp\/v2\/media?parent=7258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-json\/wp\/v2\/categories?post=7258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/theater\/wp-json\/wp\/v2\/tags?post=7258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}