{"id":7589,"date":"2019-03-08T13:16:50","date_gmt":"2019-03-08T18:16:50","guid":{"rendered":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/?p=7589"},"modified":"2024-04-22T14:37:06","modified_gmt":"2024-04-22T18:37:06","slug":"christopher-k-morgan-artists-explore-homeland-in-upcoming-performance","status":"publish","type":"post","link":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/2019\/03\/08\/christopher-k-morgan-artists-explore-homeland-in-upcoming-performance\/","title":{"rendered":"Christopher K. Morgan &amp; Artists Explore Homeland in Upcoming Performance"},"content":{"rendered":"<p dir=\"ltr\">On Friday, March 22, Christopher K. Morgan, founder of the dance company Christopher K. Morgan &amp; Artists (CKM&amp;A), will arrive at Swarthmore College to perform P\u014dhaku, a solo dance theater piece that combines storytelling, hula, modern dance, classical music, and projection design to explore themes of the native people of Hawaii like land loss and fractured identity. Morgan will also take part in a residency on campus where students will have a chance to interact with him, learning about the Native Hawaiian culture including dances like hula.<\/p>\n<p dir=\"ltr\">P\u014dhaku is Morgan\u2019s first work integrating mele (music) and hula with Western practices, leading him on a far deeper and richer understanding of his multiracial identity than anything he could have ever dreamed. Professor Olivia Sabee of the Dance Program and Professor Alba Newmann Holmes of the English Department found inspiration in Morgan\u2019s experiences as a Native Hawaiian growing up under more Western influences, and wrote a grant to bring CKM&amp;A to campus based on the idea and themes of homeland. This grant aims to bring together students, faculty, guest artists, and staff members to create dialogue and performances that engage with one another\u2019s understanding of homeland.<\/p>\n<p dir=\"ltr\">According to Professor Holmes, \u201c[they] were drawn to the idea of an interdisciplinary collaboration that would invite students, faculty and staff to think about the different ways in which we understand the places of our personal or ancestral origins and how, or if, our sense of homeland connects to our creative as well as our political lives.\u201d Professor Sabee knew of CKM&amp;A and believed that inviting Christopher K. Morgan was \u201ca very natural fit, as his work explores his geographical cultural inheritance from Hawaii, and how he makes that inheritance his own.\u201d<\/p>\n<p dir=\"ltr\">Their hope is that CKM&amp;A will give audience members \u201cthe opportunity to reflect on the ways in which embodied experience can be both a means to connect across cultures and a way to create new knowledge.\u201d<\/p>\n<p dir=\"ltr\">Morgan will also hold a modern dance master class on Friday, March 22, at 11:30 a.m. Professor Sabee says she is \u201cexcited for students\u2014some of whom already met and\/or worked with CKM\/A in the fall\u2014to deepen their connections with the company and its artistic staff, to experience what a range of types of work a company might present, in both terms of thematic and movement material, and to think about what it means to tackle serious themes in dance.\u201d<\/p>\n<p dir=\"ltr\">These events are co-sponsored by the President\u2019s Office Andrew W. Mellon Grant, and the performance will take place in the Lang Performing Arts Center on March 22 at 8 p.m.<\/p>\n<p dir=\"ltr\">\n<p dir=\"ltr\">Maria Consuelo de Dios &#8217;21<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Friday, March 22, Christopher K. Morgan, founder of the dance company Christopher K. Morgan &amp; Artists (CKM&amp;A), will arrive at Swarthmore College to perform P\u014dhaku, a solo dance theater piece that combines storytelling, hula, modern dance, classical music, and projection design to explore themes of the native people of Hawaii like land loss and [&hellip;]<\/p>\n","protected":false},"author":25,"featured_media":7477,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,63],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts\/7589"}],"collection":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/comments?post=7589"}],"version-history":[{"count":1,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts\/7589\/revisions"}],"predecessor-version":[{"id":7590,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts\/7589\/revisions\/7590"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/media\/7477"}],"wp:attachment":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/media?parent=7589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/categories?post=7589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/tags?post=7589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}