{"id":7444,"date":"2018-04-16T16:22:17","date_gmt":"2018-04-16T20:22:17","guid":{"rendered":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/?p=7444"},"modified":"2024-04-22T14:37:10","modified_gmt":"2024-04-22T18:37:10","slug":"hoop-of-life-music-and-dance-from-ojibwaoneida-with-ty-defoe-424-at-430pm","status":"publish","type":"post","link":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/2018\/04\/16\/hoop-of-life-music-and-dance-from-ojibwaoneida-with-ty-defoe-424-at-430pm\/","title":{"rendered":"HOOP OF LIFE: Music and Dance from Ojibwa\/Oneida with Ty Defoe (4\/24 at 4:30PM)"},"content":{"rendered":"<p><strong>HOOP\u00a0OF\u00a0LIFE\u00a0with\u00a0Ty\u00a0Defoe\/\u00a0Gi izhig\u00a0(Oneida\/Ojibwe Nations)<img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-7445\" src=\"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-content\/uploads\/sites\/9\/2018\/04\/Ty_Defoe-200x300.jpg\" alt=\"Ty_Defoe\" width=\"200\" height=\"300\" srcset=\"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-content\/uploads\/sites\/9\/2018\/04\/Ty_Defoe-200x300.jpg 200w, https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-content\/uploads\/sites\/9\/2018\/04\/Ty_Defoe-768x1154.jpg 768w, https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-content\/uploads\/sites\/9\/2018\/04\/Ty_Defoe-682x1024.jpg 682w, https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-content\/uploads\/sites\/9\/2018\/04\/Ty_Defoe-624x937.jpg 624w, https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-content\/uploads\/sites\/9\/2018\/04\/Ty_Defoe.jpg 1422w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/strong><\/p>\n<p>This event will include interactive tribal songs and flute, hoop,\u00a0and eagle dances.\u00a0This unique program explores stories within a framework of traditional and contemporary culture, history, and values. Ty draws on his vast repertoire gifted to him weaves urban anecdotes and teachings that can be applied to ideas of shape-shifting and how this relates to identity. Walking in multiple worlds on earth is what Ty carries as he\u00a0 weaves stories and humanity together.\u00a0Storytelling is often discovered with a presenting a message. For example the Sacred\u00a0Hoop\u00a0Dance is a metaphor that gives a message of people creating unity. The four colors of the hoops\u00a0are symbols of\u00a0interdependence and unity &#8211; the four human races, the four seasons, the four directions of the\u00a0compass. As the\u00a0Hoops\u00a0move they speak of renewed creation of all of the universe.<\/p>\n<p><strong>Upper Tarble<\/strong><\/p>\n<p><strong>4:30-6PM<\/strong><\/p>\n<p><strong>April 24, 2018<\/strong><\/p>\n<p><a href=\"https:\/\/swatcentral.swarthmore.edu\/?trumbaEmbed=view%3Devent%26eventid%3D288012818\">https:\/\/swatcentral.swarthmore.edu\/?trumbaEmbed=view%3Devent%26eventid%3D288012818\u00a0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>HOOP\u00a0OF\u00a0LIFE\u00a0with\u00a0Ty\u00a0Defoe\/\u00a0Gi izhig\u00a0(Oneida\/Ojibwe Nations) This event will include interactive tribal songs and flute, hoop,\u00a0and eagle dances.\u00a0This unique program explores stories within a framework of traditional and contemporary culture, history, and values. Ty draws on his vast repertoire gifted to him weaves urban anecdotes and teachings that can be applied to ideas of shape-shifting and how this [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,63],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts\/7444"}],"collection":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/comments?post=7444"}],"version-history":[{"count":1,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts\/7444\/revisions"}],"predecessor-version":[{"id":7446,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts\/7444\/revisions\/7446"}],"wp:attachment":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/media?parent=7444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/categories?post=7444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/tags?post=7444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}