{"id":6217,"date":"2014-01-23T19:24:06","date_gmt":"2014-01-23T19:24:06","guid":{"rendered":"https:\/\/blogs.swarthmore.edu\/academics\/?p=6217"},"modified":"2024-04-22T14:37:19","modified_gmt":"2024-04-22T18:37:19","slug":"susan-marshall-company-brings-playpause-213-8pm","status":"publish","type":"post","link":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/2014\/01\/23\/susan-marshall-company-brings-playpause-213-8pm\/","title":{"rendered":"Susan Marshall &amp; Company brings PLAY\/PAUSE (2\/14 @ 8PM)"},"content":{"rendered":"<p>Susan Marshall brings one of her new and exciting dance-theater pieces to Swarthmore this February.<\/p>\n<p><em><strong>Play\/Pause<\/strong><\/em><\/p>\n<p>LPAC Pearson-Hall Theater (Mainstage)<\/p>\n<p>8PM, Friday, February 14, 2014<br \/>\nFree and Open to the Public<\/p>\n<p><strong><span style=\"text-decoration: underline\">About<\/span> <\/strong><br \/>\nIn an electric guitar-fueled evening of postmodern dance-theater, Susan Marshall couples her intimate, structured choreography with the seductiveness of pop culture to explore our complex relationship to the media we consume. This evening-length piece for six dancers features a commissioned score by Pulitzer Prize-winning composer David Lang, performed live by members of electric guitar quartet Dither and Mantra Percussion. <em>Play\/Pause<\/em> premiered in Chicago in September 2013.<\/p>\n<p>Here&#8217;s a little preview: <a title=\"Stop\" href=\"www.vimeo.com\/sumac\/stop\">www.vimeo.com\/sumac\/stop<\/a><\/p>\n<p>The company will offer a Master Class with the dancers on Thursday 2\/13 in the Troy Dance Lab at 4:30PM.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Susan Marshall brings one of her new and exciting dance-theater pieces to Swarthmore this February. Play\/Pause LPAC Pearson-Hall Theater (Mainstage) 8PM, Friday, February 14, 2014 Free and Open to the Public About In an electric guitar-fueled evening of postmodern dance-theater, Susan Marshall couples her intimate, structured choreography with the seductiveness of pop culture to explore [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,3],"tags":[17,18,45,48],"_links":{"self":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts\/6217"}],"collection":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/comments?post=6217"}],"version-history":[{"count":1,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts\/6217\/revisions"}],"predecessor-version":[{"id":7191,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts\/6217\/revisions\/7191"}],"wp:attachment":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/media?parent=6217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/categories?post=6217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/tags?post=6217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}