{"id":3456,"date":"2012-01-30T16:29:17","date_gmt":"2012-01-30T16:29:17","guid":{"rendered":"https:\/\/blogs.swarthmore.edu\/academics\/?p=3456"},"modified":"2024-04-22T14:37:25","modified_gmt":"2024-04-22T18:37:25","slug":"master-class-with-john-jasperse-monday-february-20-2012","status":"publish","type":"post","link":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/2012\/01\/30\/master-class-with-john-jasperse-monday-february-20-2012\/","title":{"rendered":"Master Class with John Jasperse (Monday, February 20, 2012)"},"content":{"rendered":"<p>John Jasperse, one of the most important dance artists working today, is set to remount his groundbreaking FORT BLOSSOM at Bryn Mawr College this winter.\u00a0 Jasperse revisits the work, which reveals the body in all its controversial facets. The company will be in residence the week prior to the performances. The schedule of activities is open to the public and includes a symposium with visiting scholars, an open rehearsal and several master classes.\u00a0 The Swarthmore Master Class will take place on Monday, February 20th, 2012 at 4:30PM in the Troy Dance Lab (see below).\u00a0 For more details on Jasperse&#8217;s presence around Tri-Co: http:\/\/www.brynmawr.edu\/arts\/series.html.<\/p>\n<p>Saturday, 2\/18<br \/>\n1 &#8211; 6PM<br \/>\nSymposium: &#8220;The Contemporary Performance of Sex, Gender and Embodiment&#8221;<br \/>\nBryn Mawr College, Goodhart Hall,<br \/>\nHepburn Teaching Theater<\/p>\n<p>Monday, 2\/20<br \/>\n4:30 &#8211; 6PM<br \/>\nMaster Class in the LPAC Troy Dance Lab<\/p>\n<p>Tuesday, 2\/21<br \/>\n2:15\u00a0 &#8211; 3:45PM<br \/>\nOpen Rehearsal with Q&amp;A<br \/>\nBryn Mawr College, Goodhart Hall,<br \/>\nHepburn Teaching Theater<\/p>\n<p>Wednesday, 2\/22<br \/>\n12:30 &#8211; 1:45PM<br \/>\nVisual Culture Colloquium, Jasperse on \u201cTransformations of the Audience\/Performer Relationship\u201d<br \/>\nBryn Mawr College, Thomas Hall 224<\/p>\n<p>Thursday, 2\/23<br \/>\n4 &#8211; 5:30PM<br \/>\nMaster Class at Bryn Mawr College, Pembroke Studio<br \/>\nEmail aclarke@brynmawr.edu to reserve your spot<\/p>\n<div id=\"attachment_3457\" style=\"width: 160px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3457\" class=\"size-thumbnail wp-image-3457 \" alt=\"John Jasperse portrait\" src=\"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-content\/uploads\/sites\/9\/2012\/01\/johnportrait-150x1501.jpg\" width=\"150\" height=\"150\" \/><p id=\"caption-attachment-3457\" class=\"wp-caption-text\">http:\/\/www.johnjasperse.org\/<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>John Jasperse, one of the most important dance artists working today, is set to remount his groundbreaking FORT BLOSSOM at Bryn Mawr College this winter.\u00a0 Jasperse revisits the work, which reveals the body in all its controversial facets. The company will be in residence the week prior to the performances. The schedule of activities is [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[11,42,45,58],"_links":{"self":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts\/3456"}],"collection":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/comments?post=3456"}],"version-history":[{"count":1,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts\/3456\/revisions"}],"predecessor-version":[{"id":7250,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/posts\/3456\/revisions\/7250"}],"wp:attachment":[{"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/media?parent=3456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/categories?post=3456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.swarthmore.edu\/academics\/music-and-dance\/wp-json\/wp\/v2\/tags?post=3456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}