Archive for the ‘border culture’ Category

The Dream Act in South Texas

Wednesday, February 2nd, 2011

Dream Act Threat

While demonstrations for passing the Dream Act have, on many campuses, attracted large numbers of supporters protests in South Texas have been relatively small.  The University of Texas Pan American, according to activists, has over 600 students who are undocumented yet protests at the University have only attracted a handful of students and faculty.  In fact, community members have harassed supporters of the Dream Act.  The reasons for the lack of protests, I think, do not represent indifference to passage of the Dream Act. Yet it is difficult to pinpoint the reasons for the lack of open and public support of the dream act.  Do harassment and death threats play a role? Consider the following story printed on the Channel 4 website.

http://www.valleycentral.com/news/story.aspx?id=554210&sms_ss=facebook&at_xt=4d49738af721f26b%2C0

Regardless of numerous threats and assaults, a student at UTPA continues to push the controversial Dream Act so that he and 601 other fellow students at UTPA can be on the path to citizenship.

Jose Alejandro Garrido has been very outspoken about the Dream Act, and his participation in rallies have gotten him in trouble.

“He just punched me…right there,” said Garrido. “He approached me and he said, ‘hey, are you one of those advocates for those illegals?’”

Garrido said he was shopping at Wal-Mart when he was asked this question, and when he said yes, he was punched.

“I knew I should know better as long as somebody uses the word illegals, they are racist because no human being is illegal,” said Garrido.

He said he’s also gotten numerous threatening calls and emails, but regardless, he continues to fight for the Dream Act because he himself is a dreamer.

“I use to live under so much fear in the past and now i realize it’s not my fault, said Garrido. “It wasn’t my fault to come here. My parents brought me here.”

Garrido came to the United States from Veracruz when he was 13 years old, and this Saturday, he’ll be graduating from UTPA.

His goal is to continue on to law school and become a civil rights attorney, but if the Dream Act doesn’t pass, his future is uncertain.

“I pretty much live in a legal limbo because of the actions of my parents,” said Garrido.

Its stories like this that moved Brian Silva to help start the Coalition for Educational Opportunity.

He along with Garrido and several other students started the organization to push for the Dream Act by hosting rallies and a hunger strike.

At one of their rallies here at the Chapel Lawn, the student activists released 602 balloons symbolizing those dreamers that are here at UTPA.

Silva said he fights for the 602 UTPA undocumented immigrant students, or “dreamers” as some call them, because they have a lot to offer society.

“(They have) this enormous capacity to contribute to American society, but they can’t do anything more because they can’t practice their degrees,” said Silva.

Garrido and Silva said they hope the Senate has been moved by the dreamers’ stories and will approve the dream act.

Elite Mexicans in South Texas

Tuesday, January 25th, 2011

In South Texas residents use the term “nationals” to refer to elite Mexicans while the rest of the population is known as mexicanos or Mexicans (middle or working class).  The City of McAllen is now seeking to become a regional center for granting EB-5 visas, the investor visa, granted to those who invest at least $500,000 in a business or enterprise.  Wealthy mexicans fleeing the drug violence have increasingly sought these visas.  According to the McAllen chamber of commerce applications for these visas over the last two years has increased from 3 to 5 per month to 5 to 8 per week.  In an article published in the McAllen Monitor I discuss the cultural complexities of elite Mexicans living in the valley in terms of the negative stereotypes that circulate not only about Mexican immigration but also wealthy Mexicans.  The comments to the article are telling.  I have posted three below. 

publicadvisor ”Permanent residency, or a green card, is available to foreign nationals and their family members who invest at least $500,000 in the United States, Patridge said. “Money buys you anything in America! ” Thats what he said! That’s what it is! Like any currupt country in the world! Proud to be American!

paradoxvigilante  4:37 PM on January 5, 2011 whatever it’s because “mexicans” are the new scapegoats for all this country’s problems. Next thing you know some loon will say they are connected to 9/11 

machogabcho  8:41 PM on January 5, 2011 @paradoxvigilante–I don’t know of anyone in this country who’s making Mexicans “scapegoats” but I can provide links to where Mexican politicians are making Americans “scapegoats” for the problems in their country. And as for the “connected to 9/11″ theory, Mexicans have murdered a hell of a lot more Americans than the 9/11 hijackers .

  esminombre 7:50 AM on January 5, 2011 There are so many illegal aliens living (not working) in the US that probably contribute nothing to our economy. This new wave of people have the means to get into Texas legally (just go to La Plaza) why not embrace their half million contribution and consider putting 10 people to work is not a great idea? Everyone here seems to agree that these foreigners should go through legal channels to live here. Give these Mexicans a chance. We need the jobs and their money. This is a golden opportunity and I think you will see banks, real estate companies and many others lining up to form partnerships with these new millionaires. Milborne Drysdale’s will step up to bat any day.

We have too many “loosers” on this site.

Border Wall Music: “Borderless Love”

Friday, January 15th, 2010

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A photograph or our, Dean, in Adrienne and Butch’s front “yard” in Terlingua, Texas.

“A wall is a mirror that can only reveal one side of a story that passes for real . . . Over, under, around and through.”

Adrienne Evans is a resident of Terlingua, Texas and an outspoken opponent of the border wall.  We met her last year in Austin when she testified before the Mexican American Legislative Caucus about the border wall.  In her eloquent statement, she labelled the construction of the border wall as an act of “lawless laws.”  Evans believes that Texans are law abiding citizens, and people who should not let the federal government roll over laws standing on the books before 2006.  This statement referred to the fact that DHS is building the wall even though its construction does not follow U.S. law.  At the same time, it does.  The Secure Fence Act of 2006 gives the Secretary of Homeland Security the power to “waive” laws.  Michael Chertoff and now Janet Napolitano have the power–and exercise it–to ignore any law that they see fit if it stands in the way of “security.”  Depending upon where you are and how you count them, DHS has waived–and continues to do so–about 56 laws in the construction of the border fence.  This “lawless law” enforcement drives many borderlanders crazy.  While Evans is a soft spoken advocate against the wall, Miguel and Margaret have interviewed other residents who turn so red when discussing the border wall construction that we are afraid that their faces will explode.  Many take heart and/or blood presurre medication before discussing the issue because they become so outraged at the thought of their rights being so freely trampled.

Evans’ husband is Butch Hancock, a musician and member of the The Flatlanders. The primary members of the Flatlanders are Jimmie Dale Gilmore, Butch Hancock and Joy Ely.  The Flatlanders were hanging out at Adrienne and Butch’s home in Terlingua and composed the song, “Borderless Love” to express their sentiment toward the wall.  The Flatlanders played this song in Texas, in various parts of the United States and the world.

Note the lyrics:  ”Over, under, around and through.”  Evans heard Texan actor Tommy Lee Jones in an interview talking about the border wall. Jones said that he was not in favor of the wall and explained that people will find a way “over, under, around and through” the wall.  Evans shared Jones’ statement with the band, and the song blossomed from there.

The Chicano Movement Trail Becomes Another Stop in Texas’ Forgotten History of Internment Camps/Detention Centers

Thursday, January 14th, 2010

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Did you hear that the Texas School Board is considering dropping Cesar Chavez and Irma Rangel from Texas history books?  Chavez and Rangel are the only two “Hispanics” mentioned in Texas history books after the 1600′s (see http://action.ufw.org/page/speakout/cectxjan10).  After our visit to Crystal City and Marfa, we were not very surprised.

For Winter Break, Margaret and Miguel planned a trip to West Texas to visit the border wall in various places as well as interview local residents about their opinion of the border wall/fence.  Along the way, which is a long one, we also wanted to stop by a few places that are historically significant and where we have never been, including Crystal City.   These stops were also part of our larger mission of starting a Chicano/a Movement Trail based out of South Texas.  Many scholars know Crystal City as point of charge (pas du charge) for the Chicano/a Movement as well as the birthplace of The Raza Unida Party in 1970.  Crystal City is where Chicano/a activists took over the town council–all White since 1910–and Raza Unida held power for approximately a decade.  (Below we will include a description of the Chicano Revolts written by Teresa Acosta for the Handbook of Texas Online.)

Miguel and Margaret were excited to visit this historic place, particularly because we are two enthusiasts of social movements.  Our enthusiasm quickly waned as we drove into Crystal City and saw little indication of Raza Unida and many signs of the city’s militarized history.  As we drove around town, we spotted the local library.  We went inside and asked the librarian about historical markers relating to political activity and change in the region, particularly in the 1960′s and 1970′s.  The librarian said that there was nothing that she knew of but said that we could visit the site of the World War II era internment camps as well as purchase a book about them for $10.  We bought the book, and she gave us directions.  We passed the former site about four times before seeing the historical marker in a field.

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From the historical marker, we learned that Crystal City housed one of the largest German and Japanese American Internment Camps in the United States, from 1941-48.  The book we purchased in the library Vanished:  German-American Internment, 1941-48 (Luick-Thrams 2005) describes in harrowing detail the experiences of German-American “enemy aliens” during this time.  Did you know that the United States imprisoned in these centers not only U.S. citizens but also Germans and Austrians from all over North and South America?  One of the most harrowing stories tells of a German-American family “exchanged” toward the end of the war for U.S. soldiers.  Three members of the family were U.S. citizens.  Essentially, the U.S. government exchanged U.S. citizens for U.S. citizens.  Ensila Eiserloh Bennett tells the story of the Eiserloh family’s forced repatriation in Vanished.  In this story, the Eiserloh mother gives birth while in passage to Germany.

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At the site of the internment camps, now the site of Crystal City’s public schools, one can see little trace of this vast family imprisonment compound, except for a few concrete slab foundations remaining.  For us, Crystal City marks another site in Texas where a successful effort has been made to erase our history thus deleting people’s rights as well as the histories of powerful movements.  To return to our opening comment regarding Texas history textbooks, why are Texas’ children not reading and visiting the sites in Texas of our internment (and Texas’ citizens complicity in this process) of U.S. citizens?  Literally, today, we see the schoolboard proactively trying to erase, once again, signs of political action that don’t fit into the traditional Alamo and Davy Crocket story.  Why are there no historical markers commemorating the Chicano/a movement in Crystal City and the breakdown of segregation?

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Acosta’s write-up about the “Crystal City Revolts:”

CRYSTAL CITY REVOLTS. In 1963 and again in 1969, Mexican Americans in Crystal City organized against Caucasian domination of city hall and the public school system. The result was an electoral victory for Hispanic Texans for the first time since the city’s incorporation in 1910.

The 1963 movement was led by Juan Cornejo, a local representative of the Teamsters Union at the Del Monte cannery in Crystal City, and thePolitical Association of Spanish-speaking Organizations. PASSO succeeded in getting more Mexican Americans to pay the poll tax and vote. In addition, the Mexican Texans organized the large migrant farm-labor pool affiliated with the Teamsters at Del Monte. The Hispanics selected a slate of five candidates, who became known as los cinco, from among the poor and undereducated Mexican Texans, to run for the city council. The group faced intimidation by the political establishment. Several workers at the Del Monte plant were fired for wearing campaign buttons, for instance; but Teamsters officials intervened, and their jobs were reinstated. Texas Rangersqv were called in, reportedly to provide protection for the Mexican Americans. Agricultural leaders doubled hourly pay for their workers, and Del Monte went into overtime production to keep workers from voting. Los cinco, however, gained widespread support, and all five candidates defeated the five incumbents in a close election.

The newly elected all-Mexican-American city council and the succeeding administration had trouble governing the city because of political factions among the new officials. Cornejo was selected mayor from among the five new council members, but eventually his apparent quest for total control of city government led to his loss of support. A new group made up of both Caucasians and middle-class Mexican Americans, the Citizens Association Serving All Americans, announced its plans to run candidates for countywide offices in 1964, with the goal of ousting politicians that it considered dominated by “outside interests,” an allusion to the roles of PASSO and the Teamsters in the elections of 1963. CASAA won the constable and commissioner seats and ran three Mexican-American and two Caucasian candidates in the city council election in 1965. The Hispanic activists did not repeat their poll-tax drive to bolster their voting bloc, and CASAA won.

In 1967 the Mexican American Youth Organization was founded by three Chicanos, including José Ángel Gutiérrez at Crystal City High School. In 1969, after a conflict about the ethnicity of cheerleaders, the school compromised to establish a cheerleading squad of three Caucasian and three Mexican-American girls. But in June the school board invalidated the compromise. The following November 100 Mexican-American students and their parents took a long list of grievances to the school board. In December 1969, when the board denied the charges of discrimination and refused to act on them, 200 Mexican-American students went out on strike, with their parents’ support. The boycott soon extended to both the middle and elementary schools. The United States Department of Justice sent a team to intervene in the crisis, probably in response to the visit by three striking students to its Washington headquarters. The federal officials negotiated a settlement that obliged the board to meet most of the students’ demands, including bilingual, bicultural education, better testing programs, and more cultural celebrations. The following January the Raza Unida Party, which was founded almost immediately after the successful student boycott, received enough votes to win seats on the school board and the city council.

BIBLIOGRAPHY: John Staples Shockley, Chicano Revolt in a Texas Town (Notre Dame, Indiana: University of Notre Dame Press, 1974).

Teresa Palomo Acosta

Marfa: Modernist Art, Detention Centers, and the Erasure of Detention History

Wednesday, January 13th, 2010
Chinati Art Museum Building in Marfa, Texas, formerly part of a WWII prison camp.  Photography by Margaret E. Dorsey

Chinati Art Museum Building in Marfa, Texas, formerly part of a WWII prison camp. Photography by Margaret E. Dorsey

On a recent trip to Marfa, Texas we took a tour of the Chinati Foundation’s permanent exhibit of Donald Judd’s untitled works in milled aluminum.  Judd installed the project in 1978-1979 in what has been called, depending on the source, artillery sheds, airplane hangars, and what our tour guide termed work centers for “Germans.”  We later learned that the facility housed German soldiers captured during World War II.  We see Judd’s artistic vision was modernist (indeed minimalist) at a couple of levels.  First, the permanent installation of milled aluminum pieces and concrete structures do engage universal notions of finding order and symmetry in life and art.  Second, the artistic vision derives from an avante-garde notion of the artist and his work standing beyond history, even though inspired by his own artistic impulses.

Indeed, Judd’s motivation was to create permanence in art, and his need to create a “unified aesthetic entity of works and space,” that would be in a place in perpetuity, determined his vision  (see http://www.chinati.org/pdf/making2works.pdf).   The milled aluminum structures are impressive.  The precision of the cubes shatters the roughness of the shed yet seem to frame the landscape through their optical variance.

Judd Untitled Work in Milled Aluminum, photograph by Miguel Diaz-Barriga

Judd Untitled Work in Milled Aluminum, photograph by Miguel Diaz-Barriga

The facility where Judd's milled aluminum pieces are exhibited.

The facility where Judd's milled aluminum pieces are exhibited, photography by Margaret Dorsey.

Our tour of  the grounds was both enlightening and frustrating, particularly the elision of the heavy militarization of the Marfa area historically  and the site of Judd’s work more specifically.  Clearly , the vision of Donald Judd and the Chinati Foundation is not to engage the context of the art in a town, Marfa, and a site, Camp Marfa later Fort D.A. Russell whose primary role was military.  In the early twentieth century, Camp Marfa housed a cavalry batallion to guard against the “spread” of the Mexican Revolution into Texas.  Later it housed chemical batallions, Women Army Corps, and an army airbase.  During WWII, the facility was a large prisoner of war camp for captured Germans.

Modernist art is indeed known for flattening–and even erasing–history.  We do not think Judd’s art itself needs to take this history into account.  However, during the tours of the facility, in order to fully appreciate the impact of Judd’s work on the landscape and buildings, this history should be taken into fuller account. Indeed, when entering the facility one has to pass a border patrol station and throughout Marfa buses from Wackenhut are evident.  (Wackenhut is the bus company that DHS contracted to transport undocumented immigrants to detention centers.) We even had coffee in Marfa with a truck driver transporting pylons for border wall construction.    The history of detention in Marfa continues. We can appreciate Judd’s work and understand the history of detaining and transporting “enemy aliens” in West Texas.

Wackenhut bus for transporting undocumented immigrants to detention centers.

Wackenhut bus parked in Marfa. These buses transport undocumented immigrants to detention centers, photograph by Miguel Diaz-Barriga.

Borderwall Art: Scott Nicol

Sunday, January 3rd, 2010

Scott Nicol, a Professor of Art at South Texas College and a founder of the No Border Wall group (http://notexasborderwall.com/) , is one of the most knowledgeable critics of the border wall.  We (Miguel and Scott)  recently went to photograph the border wall near the town of Progreso Lakes, a tiny town of roughly 250 that surrounds two small lakes.  The town is located near the Progreso Bridge.  Behind the border wall, on the southern side, are conservation areas managed by U.S. Fish and Wildlife Services.  We passed through one of the gaps in the wall to take pictures of the area.  We were almost immediately approached by border patrol agents who asked what we were doing in the area.  Indeed, it is ambiguous whether or not we were permitted to be on the south side of the wall even though we are technically still on U.S. soil.  While the border patrol agents were professional, asking why we were taking photographs, etc., the ambiguity of access to the southern side of the wall was disconcerting. (On a side note:  Margaret and Miguel have been stopped from crossing through gaps because, border patrol agents told us, we were entering private property.  We only put up a mild argument that we were on county roads.)

Scott Nicol took the following photographs of the wall at Progreso Lakes.

Border Patrol Observes Scott Nichol and Miguel Diaz-Barriga

Border Patrol Observes Scott Nicol and Miguel Diaz-Barriga

The Border Wall at Progreso Lakes is a combination concrete and metal pylon structure.

The Border Wall at Progreso Lakes is a combination concrete and metal pylon structure.

When we drove further back into the conservation area we came across an inner-tube that was tangled in a tree.  Scott has used inner-tubes in some of his art/activist pieces.  I shot the following photograph of Scott taking down the inner-tube.

Scott has incorporated found materials into his more activist based art on the border wall and immigration.

Scott has incorporated found materials into his more activist based art on the border wall and immigration.

In one of Scott Nicol’s more activist works he used an inner-tube that he found along the Rio Grande River, apparently used by an undocumented immigrant to come into the United States, to comment on U.S. border policy.  Scott was kind enough to provide a photograph of this piece which has been displayed at a Brownsville art gallery.

Scott Nicol - Terrorists and Terrorist Weapons

Brownsville, Texas, the Border Wall and Public Meeting Tonight

Tuesday, June 2nd, 2009

While almost all border wall construction has been completed in Hidalgo County, DHS has not completed its work in Cameron County where Brownsville and University of Texas-Brownsville are located. Brownsville’s Mayor Ahumada sent out a press release about tonight’s meeting stating:

“This is to inform all interested parties opposing the Border Wall to make note of a proposed agreement between the City of Brownsville and DHS (Department of Home Land Security) which, has been posted on the city agenda for consideration and action on June 2, 2009. The city meeting will take place at City Hall on the second floor, at 6:00 p.m., located at 1001 East Elizabeth Street, which is at the corner of East 10thStreet and Elizabeth Street.”

The people of Cameron County continue to fight construction of the border wall. ?On our tour of various border wall construction sites, it seems that challenging DHS does bear fruit. While communities who challenge DHS have not completely stopped the wall’s construction what they have been able to do is make a place for themselves at DHS’s table and make their voices heard by DHS. ?In other words, at this point, it appears that the struggles open dialogue with DHS for negotiating a compromise. We visited UT-Brownsville’s campus this weekend and viewed the border wall. Here’s what it looks like.

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That’s the border wall on UT-B’s campus. ?We took the photo from the southside of the wall looking north onto the university’s baseball stadium. ?UT-B’s beautiful and growing campus merges with a delightful park near the border called “Lincoln Park.” ?Community activists are working hard to keep DHS from building the wall on this park. ?Below are some photos from the park.

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The park has picnic areas with bbq pits, walking trails, little league fields, slides and swings for small children to play and basketball courts.?

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We found strolling through UT-B’s campus and playing at this park to make for a wonderful family outing. UT-B’s campus is gorgeous, with a canal and resacas cutting through the campus.

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While crossing the bridge, we saw an array of tropical birds in their habitat. Margaret loved seeing a pair of parrots flying in and out of their home in a dead palm tree. We also sighted a variety of herons and ducks. Our daughter Liz thoroughly enjoyed watching the ducklings waddle and swim alongside their parents.

The university is in the process of building and upgrading pedestrian paths. The campus reminded Miguel of Stanford in places and Margaret of Indiana University. Both universities also have large green spaces to walk through where you fell like you are out in the country. In Bloomington, for instance, IU’s campus fells like a forest. We found it surprising that DHS built the wall north of the university’s golf course. It looks like in the future, one might be required to pass through a border patrol access point to golf. Here’s a photo of the golf course.img_3718

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The photo below is taken near where it looks like DHS might build a gate so that students can golf. The next photo is taken on the levee one crosses to reach the golf course. We took the photo near the possible point of entry. Notice DHS’s lights in the background.

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Border Wall Music

Tuesday, November 4th, 2008

Perhaps a positive aspect of DHS’s novel creation–the U.S. Mexico Border Wall–is that it in turn has generated some?musical innovation, from country and conjunto to avante garde and rock. One of the wonders of postmodern research is youtube, where browsers can not only hear this music but see it performed in a live setting. Here are two examples of border wall music with links. Please feel free to add to this list of music in our comments section!

Laura Magdaleno and Las Palmas de Durango perform "El Muro."

Laura Magdaleno and Las Palmas de Durango perform

The lyrics to “El Muro” (The Wall) point to contradictions in U.S. policy that utilizes Cold War era–think Berlin wall–strategies to fight terrorism. In reality, the wall only keeps out Mexicans desperate for work–who are willing to climb a wall that goes all the way to the sky. The song, which has a snappy norteno dance beat, takes on a moral tone as it points out that the wall offends God and humanity. Laura Magdaleno’s voice is well suited for the song, which takes on the voice of migrants. She conveys tenderness, anger and authority when highlighting?the moral contradictions of the wall. The lyrics state (translated):

They knocked down a wall in Berlin, and now they want to build another in their country… as if a wall could fix their faults, as if that could straighten all their sins.

Now it’s called the Wall of Shame because it affects my Mexican countrymen, a bitter joke for man, an offense to God, because He wanted us all to live as brothers.

“El Muro” by Ramon Melendez and Jose Vitela, performed by Las Palmas de Durango from Texas with lead singer Laura Magdaleno. http://www.youtube.com/watch?v=_1LbqTFWLtk&feature=relate

Tom Russell sings about cowboys and the border from a unique perspective.

Tom Russell’s catchy music, integrating U.S. folk and elements of norteno, is put to good use in this song that asks not only who will build the wall but also who will wax the floors at malls, take care of the children, and mow the lawn. Tom Russell owns a small tract of land on the Rio Grande near Laredo. He sympathizes with the majority of ranchers on the border who see the border wall as an ineffective waste of money that will disrupt ranching and wildlife. With an almost playful voice, he criticizes developers and fanatics such as fundamentalists and minutemen. His lyrics include:

It’s the fat cat white developer
Who’s created this whole damn squall
It’s a pyramid scheme of dirty jobs
And who’s gonna build your wall…

We’ve got fundamentalist Muslims
We’ve got fundamentalist Jews
We’ve got fundamentalist Christians
That’ll blow the whole thing up for you

But as I travel around this big old world
There’s one thing that I most fear
It’s a white man in a golf shirt
With a cell phone in his ear

I understand that Tom Russell performed this song on David Letterman.

“Who’s Gonna Build Your Wall” written and performed by Tom Russell. ?http://www.youtube.com/watch?v=ZIQeG8izfBc

More music, including a song by the famous Mexican famous rock band El Tri, in future blogs!

BIG RIVER FESTIVAL 11/1/08

Sunday, November 2nd, 2008
Los Caminos del Rio organized kayaking trips on both sides of the river.
Los Caminos del Rio organized kayaking trips on both sides of the Rio Grande.
A student from UTPA, with her family, prepared soy chorizo as part of the healthy Mexican food contest.  She is part of a research group from UTPA working on food issues.

A student from UTPA, with her family, prepared soy chorizo as part of the healthy Mexican food contest. She is part of a research group from UTPA working on food and nutrition issues in traditional Mexican cooking.

We headed to Anzalduas park on Saturday to attend the Big River Festival organized by Los Caminos del Rio. We had, on several occasions visited Anzalduas park which is usually packed on weekends with families holding barbecues, birthday parties, and visiting. On the U.S. side, however there was very little activity on the river itself. The Festival was noteworthy because it showed that the Rio Grande can be a site of increased recreational activity. Organizers of the Festival, see loscaminos.org, were careful to work with a variety of government agencies to organize the event, including the Border Patrol, local mayors, and state representatives.

Kayakers on the Mexican side of the Rio Grande take to the river. Anzalduas parks is one of the rare places in the U.S. where one looks North towards Mexico.
Kayakers on the Mexican side of the Rio Grande take to the river. Anzalduas parks is one of the rare places in the U.S. where one looks North towards Mexico.